Andrei Tarkovsky (1932–1986) was a Soviet film director known for poetic, visually rich films that explore spiritual and metaphysical themes.

Known for long takes, a contemplative pace, and recurring themes of memory, faith, and the nature of art.

A deeply appreciative review of Tarkovsky's Stalker emphasizing atmosphere, spirituality, and striking cinematography. The review reflects on the film's unresolved questions and the tension between heart and mind. Praise is given to Tarkovsky's ability to create lasting visual and emotional impressions.

For:cinephiles, students of film, readers interested in philosophical and spiritual cinema

 The memory I hold of this film seems to mock time and space, and so, periodically it returns, like an invisible moon influencing the tides of my spirit.

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