Cover of Amanda Palmer Who Killed Amanda Palmer
Ginoleo

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For fans of amanda palmer, lovers of theatrical and indie rock music, enthusiasts of female singer-songwriters, and listeners interested in eclectic and emotionally rich albums.
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THE REVIEW

A voice shatters the silence followed by an impetuous harmony, the atmosphere becomes leaden, and Amanda's voice introduces us to her disturbing world.

Having rightfully entered the pantheon of female singer-songwriters, Palmer (singer-keyboardist and co-writer of the The Dresden Dolls) manages to diversify her solo and band projects while maintaining an approach to the "Brechtian" theatrical style that has always distinguished her.

Thanks to an album that makes irony its main card, right from the title "Who killed Amanda Palmer" (a sumptuous play on words of the motto-emblem that was popular in the early '90s), the singer manages to blend the most diverse influences without weighing down the final result.

She demonstrates this with "Runs in the family", a theatrical and schizophrenic fresco as majestic as it is caustic, or with the beautiful "Leeds United" a chaotic fusion between modern rock grime and the classical innocence of big bands.

When the tones soften, Amanda gifts us the finest gems, like "Ampersand" a sweet monologue reminiscent of Celtic melodies from the distant medieval times or "Blake Says" a seductive lullaby inspired by the melody of the most classic carousel, almost as if to instill an (apparent) sense of security that compensates in the majestic central bridge.

The extraordinary versatility of her voice allows her to fully express herself, engaging the listener in a whirlwind of unfiltered emotions; it's wonderful to capture how her fingers on the piano can paint the most varied situations without ever falling into the glossy.

Ben Folds' production is impeccable and superb thanks to a skillful use of electronics (always congenial and never cloying) and the presence of violas and horns which, aside from performing the classic "pro-pathos" arrangement, also serve as a counterpoint to soften (and temper) Palmer's excessive exuberance.

The question has thus found its answer: "Who killed Amanda Palmer?".

No one! She is alive and she has amply confirmed it!

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Summary by Bot

Amanda Palmer’s solo album 'Who Killed Amanda Palmer' showcases her trademark theatrical style and vocal versatility. The album blends irony with diverse genres, balanced by Ben Folds' superb production. Tracks like 'Runs in the Family' and 'Leeds United' demonstrate dynamic contrasts, while softer songs offer emotional depth. The review affirms Palmer's enduring vitality and artistic mastery.

Tracklist Lyrics Videos

01   Astronaut: A Short History of Nearly Nothing (04:37)

02   Runs in the Family (02:44)

03   Ampersand (05:58)

04   Leeds United (04:47)

06   Strength Through Music (03:29)

07   Guitar Hero (04:48)

08   Have to Drive (05:43)

09   What's the Use of Wond'rin? (02:50)

11   The Point of It All (05:35)

12   Another Year: A Short History of Almost Something (06:03)

Amanda Palmer

Amanda Palmer is an American singer, songwriter, and pianist, co-founder of The Dresden Dolls. She is known for dark cabaret theatrics, landmark crowdfunding (Kickstarter) for Theatre Is Evil, and ongoing patronage via Patreon; she has also collaborated on the Evelyn Evelyn project and is married to author Neil Gaiman.
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