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Among the most interesting releases of 2013, I would certainly include “Teethed Glory and Injury” by the now disbanded Altar of Plagues, who with their third and final studio work managed to reach an enviable state of maturity in terms of post-black metal, a sub-genre very much in vogue these days. Discover the review
Among the most interesting releases of 2013, I would certainly include “Teethed Glory and Injury” by the now disbanded Altar of Plagues, who with their third and final studio work managed to reach an enviable state of maturity in terms of post-black metal, a sub-genre very much in vogue these days.
Mammal is this, it’s a train projected towards the end, laden with despair and tragic malaise, but a light, after that last final percussion, seems to appear: as if to say that not everything is lost, not everything is gone, and that despair, and sadness serve for a decidedly better tomorrow. Discover the review
Mammal is this, it’s a train projected towards the end, laden with despair and tragic malaise, but a light, after that last final percussion, seems to appear: as if to say that not everything is lost, not everything is gone, and that despair, and sadness serve for a decidedly better tomorrow.
In the catastrophic black of “White Tomb” there is everything that only black metal itself can describe: fury, suffering, despair. Discover the review
In the catastrophic black of “White Tomb” there is everything that only black metal itself can describe: fury, suffering, despair.
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