Italian film director and screenwriter; reviews note he directed at least 35 films and is known for precise cinematography and recurring themes of the individual against society.

From the reviews: Il delitto di Giovanni Episcopo (1947) had a screenplay co-authored by Federico Fellini; Il cappotto (1952) is widely regarded as a masterpiece, based on a short story by Nikolai Gogol, and Renato Rascel received critical praise and a Silver Ribbon for his performance. Reviews highlight Lattuada's use of lighting, calibrated camera movements, framing balance, and social themes; one review notes dubbing/out-of-sync dialogue as a flaw in Il delitto di Giovanni Episcopo.

Reviews emphasize Lattuada's formal control (lighting, framing, calibrated camera moves) and his recurring theme of the isolated individual versus an indifferent society. Il cappotto is praised as a masterpiece and Renato Rascel's performance highlighted; Il delitto di Giovanni Episcopo is noted for an early Fellini co‑authored screenplay and strong period atmosphere. Some technical flaws (dubbing) are mentioned but overall appreciation is clear.

For:Fans of classic Italian cinema and readers interested in film style and social critique.

 One can consider Mario Alberto Lattuada as one of the main figures of Italian cinematic art and beyond, with at least 35 films to his credit.

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 In 1952, Alberto Lattuada signed what is considered by many to be his masterpiece: Il cappotto.

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