Italian singer-songwriter from Domodossola who debuted in 1979. Known for a distinctive voice, early critical and commercial success, collaborations with prominent musicians and several well-regarded albums and songs from the late 1970s and 1980s.

Born in Domodossola; debuted with the album "Alberto Fortis" (1979). Early career included collaboration with members of PFM. Notable songs include "Settembre" and "La sedia di lillà". Recorded "Fragole infinite" with contributions tied to Abbey Road/George Martin and used London orchestral resources; recorded parts of "La grande grotta" with session musicians in Los Angeles (Alex Acuna, Abe Laboriel and others) as reported in reviews. Experienced controversy around the song "Milano e Vincenzo" and tensions with producer Vincenzo Micocci. Participated in televised programs (e.g., Music Farm) later in his career.

DeBaser reviews present Alberto Fortis as an Italian singer-songwriter notable for a strong vocal technique and a string of 1979–1980s albums. Reviewers highlight his debut, several classics (Settembre, La sedia di lillà), collaborations and occasional controversies. Overall the coverage is appreciative with critical notes on later commercial turns.

For:Fans of Italian singer-songwriters (cantautori), listeners of 1970s–1980s Italian pop/rock, DeBaser readers

 Voice-instrument, more than ever: the art of singing had revealed all its secrets to Alberto: it was just a matter of modulation, just a matter of choosing when to exaggerate and when to adopt a more modest register, when to fully exploit the potential and when to opt for simplicity, without ever stumbling over a single flaw.

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 Vincenzo io ti ammazzerò, sei troppo stupido per vivere, Vincenzo io ti ammazzerò perchè, perchè non sai decidere

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