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Splendid combination, free of frills, of Symphonic Prog and Jazz Fusion, keyboard symphonies halfway between Keith Emerson and Alan Gowen, immersed in a sort of mantra of the New York Fusion scene of the time, the few minutes of vocal parts in Argentine language on the record distinguish the peculiarity of the product and the stylistic meeting point with their country of origin. Discover the review
Splendid combination, free of frills, of Symphonic Prog and Jazz Fusion, keyboard symphonies halfway between Keith Emerson and Alan Gowen, immersed in a sort of mantra of the New York Fusion scene of the time, the few minutes of vocal parts in Argentine language on the record distinguish the peculiarity of the product and the stylistic meeting point with their country of origin.
The album immediately proves to be, as previously mentioned, very derivative and influenced by various genres, ranging, indeed, from progressive metal veiled in melancholy, reminiscent of some tracks by Pain Of Salvation, to rhythmic and guitar outbursts clearly derived from death. Discover the review
The album immediately proves to be, as previously mentioned, very derivative and influenced by various genres, ranging, indeed, from progressive metal veiled in melancholy, reminiscent of some tracks by Pain Of Salvation, to rhythmic and guitar outbursts clearly derived from death.
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