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❝ The long initial prologue is anthology-worthy.
❝ Masterpiece of filmic oneirism, an editing so meticulous and at the same time idiosyncratic as to seem the prototype of the anti-film; here editing is the meaning, more than the plot.
❝ Close-ups, static characters, immobility, nonsensical dialogues.
❝ A sort of charade for insiders.
❝ The novelty lies in the fact that the three lives are, during the film, examined by Henri Laborit, who plays himself in the exercise of his professional function.
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