Cover of Air City Reading (+ Baricco)
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For fans of air,lovers of italian literature,listeners of experimental or concept albums,readers interested in narrative-driven music projects,theater and performance art enthusiasts
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LA RECENSIONE

I like listening to Air.
And I like reading Baricco.
2+2=4, I like these readings from the novel "City" by Baricco and set to music by Air.

And yet 2+2=5, as someone (will) say, the logic doesn’t hold. Because this is not a new album by Air, nor a novel by Baricco.
These are "three western stories," three readings originally presented in theater in Rome last year and now re-proposed in this bold concept album.

"I chose Air because I went to one of their concerts, in Milan, and I was blown away. There was, in that music, an idea of time that seemed very close to the anomalous time of reading aloud," explains Baricco.
It's true, I was blown away too. And it's also true that the evocative and dramatic sound of Air lends itself well to accompany Baricco's voice in reading, just listen to the initial "Bird," amidst enveloping keyboards and suggestive guitar touches.

What is missing then? The dynamism.

In "La puttana di Closingtown" and in "Caccia all’uomo," the other two stories, the sound remains a flat background, without highs and lows, devoid of rhythm, so that without movement, Baricco's voice alone inevitably becomes monotonous and repetitive as the minutes pass.
Surely, live on a theater stage, the result would sound different. In its absence, it's better to listen to "Moon Safari" while reading "City."

Or read "City" while listening to "Moon Safari."

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Summary by Bot

This review appreciates the collaboration between Air and Baricco in their concept album 'City Reading,' which combines theatrical narration with electronic music. While the soundscape is evocative and complements Baricco's voice well, the album lacks dynamic variation, leading to a somewhat monotonous listening experience. The reviewer suggests that the live performance might be more effective and recommends listening to Air's 'Moon Safari' alongside the novel instead. Overall, it's a bold but uneven project.

Tracklist

01   Bird (Bird) (07:20)

02   La puttana di Closingtown (Prologo per la puttana die Closingtown) (02:40)

03   La puttana di Closingtown (Se vuoi capire la loro storia) (01:04)

04   La puttana di Closingtown (Pat Cobhan ride) (04:13)

05   La puttana di Closingtown (Fanny scivola con le labbra) (02:00)

06   La puttana di Closingtown (Pat Cobhan alza gli occhi) (01:23)

07   La puttana di Closingtown (Young) (02:35)

08   La puttana di Closingtown ('Affanculo) (04:12)

09   La puttana di Closingtown (Quell'uomo bara, dice) (01:38)

10   La puttana di Closingtown (Finale) (01:35)

11   Caccia all'uomo (Prologo) (03:20)

12   Caccia all'uomo (Il primo giorno) (03:39)

13   Caccia all'uomo (Il secondo giorno) (04:57)

14   Caccia all'uomo (Il terzo giorno) (05:34)

15   Caccia all'uomo (L'urlo) (01:16)

16   Caccia all'uomo (Mondo sparito) (00:54)

17   Caccia all'uomo (Il quarto giorno) (04:20)

18   Caccia all'uomo (Macchie di sangue) (01:12)

19   Caccia all'uomo (Musica) (03:07)

Air

Air are a French electronic duo formed in Versailles, best known for the 1998 album “Moon Safari” and for composing the soundtrack to Sofia Coppola’s film “The Virgin Suicides.” The core members are Nicolas Godin and Jean-Benoît Dunckel.
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