Japanese keyboardist; per the review his musical career began at the end of the 1960s with the band April Fool. Known for keyboard-centered recordings such as Hirocosmos and Milk Time.

Review describes Hirocosmos as a keyboard-centered mix of jazz and rock with electric piano, synthesizers, powerful bass, raw guitars and tribal percussion; the reviewer links the work stylistically to late-'60s/early-'70s progressive developments.

Review highlights Hirocosmos as a keyboard-centered mix of jazz and rock with synth flourishes and tribal percussion. The reviewer traces roots to late-'60s activity and mentions the band April Fool. Overall an admiring, exploratory take on a lesser-known Japanese prog record.

For:Fans of 1970s progressive rock, jazz-rock fusion and collectors of Japanese vintage records.

 The album is a well-proportioned mix of Jazz and Rock, the kind that was made back then when it was still unclear whether one was turning into the other or vice versa.

  Discover the review
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