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Yuppi du meant everything and nothing. Great, because everything and nothing was also me, only I didn't know it. And no one had explained to me that being something a bit more defined is just the beginning of the end.
Yuppi du was a domestic oddity, the radio in the living room and dad and mom calling Adriano a fool.
Then it was also cinema, and it doesn't matter if today I only remember a vague feeling of chicanery about the film, it doesn't matter, yet it's all there. That being a bit of a clown is the bare minimum to throw in the enemy's face.
That four-handed pose was beautiful, a monkey-man ahead of his time. Vulgar or not, for us Adriano was the unexpected and also the only fool available.
Not much, sure. And perhaps even little. But in that little we made our shelter as in hide and seek. Free for a moment and screwed forever.
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By Ilpazzo
Yuppi Du is pure cinematic anarchy. A free product, outside any kind of scheme, which will no longer be able to exist in the world of cinema.
Impossible to think that a producer from a major cinematic company today could come up with the idea of producing a film with anarchic content like Yuppi Du, it would be pure heresy, unthinkable!
