Cover of Aäkon Këëtrëh Dans La Forêt
Taxirider

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For fans of dark ambient music,lovers of minimalistic soundscapes,collectors of underground 90s demos,listeners interested in melancholic and icy guitar music,followers of obscure and experimental artists
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LA RECENSIONE

I ask a friend of mine, a maniac of dark and dehumanizing sounds, for a musical recommendation: "Do you have any names to recommend to further depress me through notes and noises?". He replies saying: "Are you talking about black metal, doom, neofolk or gothic rock stuff?". I retort sarcastically: "Enough with the usual stuff! I'm talking about unusual and surprising sounds!". The guy looks at me with a puzzled look and, after a moment of hesitation, comes up with an unpronounceable name: "Aäkon Këëtrëh!!".

I return home, search for information about the subject in question but, to my surprise, I find that not even the web can tell me much about it. It's rumored that this Aäkon was actually the leader of a French black metal band, a delusional guy and advocate of the extinction of the human race. The usual stuff, right? Yes, it's the usual boring stuff! But how does this Aäkon Këëtrëh sound and how many records could he have released? The web, despite being short on information, informs me that Aäkon only released three demo tapes, all three dating back to the early '90s! How to find this material, then? Impossible in my opinion! Luckily, but don't tell anyone, the Mule is always ready to lend a hand!

And here I am, then, to review "Dans La Foret", a tape released in the distant and now prehistoric 1996.

What did you say? The cover is pretty cliché? Yes, but also extremely poor! And the music? Even poorer!

In fact, we are faced with a proposal that has NOTHING to do with metal, but rather positions itself in the realms of the dark-ambient more somber and minimal.

The instruments used? A guitar and, in only one track, a synth! Very few voices, no bass, and no drums! Only, or almost, faded guitar riffs, riffs that are melancholic and icy like a dagger of ice. Evocative music, desperate that, in some passages, reminds of the more ambient and less metal Burzum.

A demo, then, to be listened to only if psychologically predisposed and only if capable of razing any residue of human warmth to the ground.

Absolute innovation? Genius? No. It's simply the honest lament of a true specter.

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Summary by Bot

The review covers 'Dans La Forêt' by Aäkon Këëtrëh, highlighting its rarity and dark ambient style. Originally connected to black metal roots, the demo features bleak, minimal music with guitar and sparse synth. It's recommended only for those prepared for its cold, somber atmosphere. The reviewer finds it neither innovative nor genius but a sincere expression of deep despair.

Tracklist

01   [untitled] (04:40)

02   [untitled] (02:54)

03   [untitled] (01:19)

04   [untitled] (01:53)

05   [untitled] (01:32)

06   [untitled] (01:33)

07   [untitled] (03:16)

08   [untitled] (04:53)

Aäkon Këëtrëh

Opaque musician associated with sparse dark-ambient recordings. Reviews note a 1996 tape 'Dans La Forêt', limited demo releases and scarce biographical information, with rumors of prior French black metal involvement.
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