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Guitars like shredded metal sheets, precise and sharp like glittering scalpels. Like looking into a heart of darkness.
Guitars like shredded metal sheets, precise and sharp like glittering scalpels.
Like looking into a heart of darkness.
Distorted Pony's Punishment Room delivers a vicious and immersive noise rock experience. Sharp, metallic guitars and overloaded rhythms create an intense atmosphere. The album balances harsh soundscapes with melodic hints and precise rhythms. Steve Albini's production enhances the raw brutality while maintaining clarity. The record stands out as a dark, emotional journey, reminiscent of the underground noise scene. Dive into Punishment Room and experience the searing noise rock crafted by Distorted Pony and Steve Albini today!
The march that opens and closes the composition... is the first march ever written for a funeral. It sounds like something irrevocable, sudden. Like death, indeed.
The march that opens and closes the composition... is the first march ever written for a funeral.
It sounds like something irrevocable, sudden. Like death, indeed.
This review delves into Henry Purcell's Funeral Music for Queen Mary, highlighting its historic performance at Westminster Abbey. Purcell's composition, noted as possibly more profound than Mozart's funeral music, blends powerful brass and tender choral voices. The piece's groundbreaking funeral march and Purcell's unique baroque style are explored, alongside the emotional and atmospheric qualities tied to its gothic setting. Discover the haunting elegance of Purcell’s Funeral Music—listen and immerse yourself in this historic baroque masterpiece today.
"That gypsy lied to me and now I want my coin back, he is the one driving and I’m in the middle of the road." "I hate poets and poetry books; I hate the fact that they make you remember how to fill every space without wasting a single word."
"That gypsy lied to me and now I want my coin back, he is the one driving and I’m in the middle of the road."
"I hate poets and poetry books; I hate the fact that they make you remember how to fill every space without wasting a single word."
This review offers a raw and unvarnished perspective on Valentino Zeichen's poetry collection 'Poesie (1963-2014),' revealing frustration and distrust towards the poetic form. The reviewer expresses a complex relationship with poetry, feeling deceived by the poet's style yet deeply engaged by the experience. Zeichen is portrayed as a mysterious figure whose work challenges traditional expectations. Overall, the review communicates a personal and conflicted response rather than objective praise. Discover the raw emotions behind Valentino Zeichen's poetry—read the review and experience the tension yourself.
Maria Grazia manages to add her touch, gifting us with an iconic performance I would not hesitate to call memorable. ‘Tu con la mia amica’ is undoubtedly a tasteless piece, a raucous imitation of Gianna Nannini characterized by overused rock blues chords, jarring guitars blasted at inappropriate volumes, and a nonsensical, almost absurd text.
Maria Grazia manages to add her touch, gifting us with an iconic performance I would not hesitate to call memorable.
‘Tu con la mia amica’ is undoubtedly a tasteless piece, a raucous imitation of Gianna Nannini characterized by overused rock blues chords, jarring guitars blasted at inappropriate volumes, and a nonsensical, almost absurd text.
This review recounts the memorable yet infamous 1993 Sanremo Festival performance by Maria Grazia Impero with her rock song 'Tu con la mia amica.' The review highlights the clash between her raw rock style and the traditional Italian festival atmosphere, resulting in an awkward and controversial moment. Despite the song’s flaws and bizarre presentation, her effort is noted as an unforgettable piece of Sanremo history. The context also outlines the festival’s atmosphere and key personalities of the era. Discover the unforgettable and quirky side of Sanremo history—read about Maria Grazia Impero’s legendary 1993 performance now!
"Sanremo also has good things at times... but is it really worth it?" "A circus that gives priority to memes and making a splash rather than giving space to music ends with being what it fundamentally is, that is everything bland there is in the world."
"Sanremo also has good things at times... but is it really worth it?"
"A circus that gives priority to memes and making a splash rather than giving space to music ends with being what it fundamentally is, that is everything bland there is in the world."
This detailed review of Sanremo 2023 offers a highly sarcastic and critical perspective on the festival's organization, performers, and musical selections. The author finds many performances mediocre or forgettable, criticizes celebrity appearances and speeches, and expresses fatigue with the event’s length and format. Despite the biting tone, a few artists and moments receive mild praise. Ultimately, the review conveys disappointment mixed with reluctant engagement. Discover the unvarnished truth of Sanremo 2023—read the full review and dive into the highs and lows of Italy's iconic music festival.
The garage is the only 'genre' that doesn’t need novelties... it would be complete heresy. Basic garage, just three of them making wonderful chaos, solid rhythm section more than right and the guitar sound willingly venturing vs Stoner alla Monster Magnet.
The garage is the only 'genre' that doesn’t need novelties... it would be complete heresy.
Basic garage, just three of them making wonderful chaos, solid rhythm section more than right and the guitar sound willingly venturing vs Stoner alla Monster Magnet.
The Maggots' debut album Get Hooked! is praised for its raw and spontaneous garage rock sound. The reviewer finds it a perfect escape from daily struggles, full of catchy choruses and wild energy. The album channels classic punk vibes with a modern twist and solid musicianship. Despite its 2001 release, it sounds fresh and engaging. Highly recommended for fans of garage and punk music looking for authentic, lively music. Listen to The Maggots' Get Hooked! and dive into a wild garage rock ride now!
Four pieces spread over thirteen melancholic minutes. Everyone imagines them as they wish; mine are gray, with profiles of buildings swallowed by smog. I don’t know if it has real artistic value, but they are thirteen minutes that work.
Four pieces spread over thirteen melancholic minutes. Everyone imagines them as they wish; mine are gray, with profiles of buildings swallowed by smog.
I don’t know if it has real artistic value, but they are thirteen minutes that work.
This brief review captures the modest yet effective essence of 'Non è Nulla,' a 13-minute post-rock album. With its evocative guitars and electronic touches, it paints melancholic urban imagery. The reviewer appreciates its ability to create an atmosphere despite its short length, acknowledging its artistic value without overstatement. Listen to 'Non è Nulla' and experience a brief yet immersive post-rock journey filled with melancholic beauty.
Bobby Joe Long’s Friendship Party are a narcissistic personality disorder, they are a ghost band with dark and raw, repetitive, hypnotic nursery rhymes, and live they manifest like ectoplasms. Straight to hell on the Capitoline night. I come from nothing and towards nothing I swiftly journey, darkness is my cradle, the dress code of the pervert.
Bobby Joe Long’s Friendship Party are a narcissistic personality disorder, they are a ghost band with dark and raw, repetitive, hypnotic nursery rhymes, and live they manifest like ectoplasms.
Straight to hell on the Capitoline night. I come from nothing and towards nothing I swiftly journey, darkness is my cradle, the dress code of the pervert.
Bobby Joe Long's Friendship Party delivers a dark, hypnotic blend of synthpunk and gothic-inspired electronic music rooted in the gritty atmosphere of Rome East. The album interweaves themes of alienation, crime, and surreal storytelling with complex musical references spanning punk to synthwave. Its raw, repetitive, and eerie style captures both discomfort and sentimentality. Richly textured and evocative, it channels an unsettling yet compelling mood for listeners craving exploratory and underground sounds. Dive into the dark, haunting world of Bobby Joe Long's Friendship Party and experience Rome East's raw synthpunk at its best!
Miles hits hard too, but in a silent way. This album from '71 is tough and hot, raw, awkward, and frayed, like a long electric sweat.
Miles hits hard too, but in a silent way.
This album from '71 is tough and hot, raw, awkward, and frayed, like a long electric sweat.
This review draws parallels between Jack Johnson's historic boxing career and Miles Davis' powerful 1971 album. The music is described as raw, tough, and full of electric energy, blending jazz and rock elements. It highlights the album's intense and frayed sound, showcasing Davis' unique and quiet genius. Dive into Miles Davis' electrifying tribute—listen now and experience raw jazz fusion genius!
Bleach is a masterpiece because it has a punk attitude, but it’s heavier, hits the right spot at the right time without style. The hatred Kurt screamed I internalized, idealized, scrutinized like a lover, and in the end, I had almost forgotten how much it represented for me.
Bleach is a masterpiece because it has a punk attitude, but it’s heavier, hits the right spot at the right time without style.
The hatred Kurt screamed I internalized, idealized, scrutinized like a lover, and in the end, I had almost forgotten how much it represented for me.
The review reflects a deep emotional connection to Nirvana's Bleach, emphasizing its raw, unpolished sound and punk spirit. It highlights Kurt Cobain's vulnerability and the album's themes of rage and self-destruction. Despite its roughness, Bleach is praised as a crucial, liberating grunge record. The author reconnects with the album's powerful impact after many years, validating its lasting legacy. Dive into the raw power of Nirvana's Bleach and feel the gritty emotion of grunge's defining early sound.
There is nothing in this record that you haven’t heard before. But all these are considerations expost because, in the meantime, I simply enjoyed: the sound had caught me.
There is nothing in this record that you haven’t heard before.
But all these are considerations expost because, in the meantime, I simply enjoyed: the sound had caught me.
The review appreciates 'Remains' by Religious Knives for its hypnotic blend of warm loops, gothic rhythms, and haunting vocals. While it acknowledges familiar influences, the record succeeds in captivating the listener. The reviewer expresses a personal enjoyment of the sound despite its references, highlighting the record as a rare and welcome pleasure. Listen to Religious Knives' 'Remains' and dive into its mesmerizing blend of gothic and psychedelic soundscapes.
The prose is excessively pop and full of repetitions, almost as if wanting to highlight certain specific characteristics of the protagonist. I want to believe, in fact I do believe, that the chapter dedicated to the daughter is the truest truth of the entire text.
The prose is excessively pop and full of repetitions, almost as if wanting to highlight certain specific characteristics of the protagonist.
I want to believe, in fact I do believe, that the chapter dedicated to the daughter is the truest truth of the entire text.
The review critiques Giorgia Meloni's autobiography focusing on its writing style and readability rather than the political content. It notes excessive verbosity, repetitive phrases, and a somewhat self-promoting tone. The use of famous song lyrics is seen as a gimmick, while the chapter about Meloni's daughter is considered the most genuine. The overall rating is moderate, emphasizing personal taste and discouraging commentary on contents. Discover the insights behind Giorgia Meloni's autobiography and explore its unique writing style and storytelling.
A continuous attack, without mercy, an avalanche of ferocious rhythms and beastly vocals, like a particularly rough brown bear. Absolutely to be recovered for old school lovers.
A continuous attack, without mercy, an avalanche of ferocious rhythms and beastly vocals, like a particularly rough brown bear.
Absolutely to be recovered for old school lovers.
The review praises Sinister's Diabolical Summoning as a dense, explosive death metal album that embodies old school metal virtues. It highlights the album's brief yet relentless intensity and compares its style to peers like Benediction and Malevolent Creation. Despite being somewhat overlooked, the album remains a classic for fans of traditional death metal. The review also humorously critiques typical metal review clichés while delivering a detailed analysis. Dive into Sinister's Diabolical Summoning and experience a potent dose of classic death metal intensity!
Here it’s pure enjoyment, boundless joviality, unrestrained exaltation of sex, drugs, and rock ’n’ roll in its most alluring and captivating form. If you are exhausted and pissed off, they save your life… at least for half an hour they are the perfect antidote to forget.
Here it’s pure enjoyment, boundless joviality, unrestrained exaltation of sex, drugs, and rock ’n’ roll in its most alluring and captivating form.
If you are exhausted and pissed off, they save your life… at least for half an hour they are the perfect antidote to forget.
This review celebrates Nashville Pussy's debut album as a wild and raw offering that blends punk, hard rock, and glam influences. It's praised for its bold, energetic attitude and unrestrained expression of rock ’n’ roll lifestyle. The album serves as an antidote to the reviewer’s daily frustrations, delivering enjoyment and rebellious spirit. The author highlights preference for the debut’s punk edge compared to later blues influences. Listen to Nashville Pussy's debut and experience raw, unapologetic rock ’n’ roll energy today!
"Shostakovich's Thirteenth Symphony stands as an extreme bulwark against oblivion, hypocrisy, pain." "The deepest statement ever made about the Holocaust wasn’t a statement at all, but a response. The question was: ‘Tell me, where was God at Auschwitz?’ And the answer: ‘Where was man?’"
"Shostakovich's Thirteenth Symphony stands as an extreme bulwark against oblivion, hypocrisy, pain."
"The deepest statement ever made about the Holocaust wasn’t a statement at all, but a response. The question was: ‘Tell me, where was God at Auschwitz?’ And the answer: ‘Where was man?’"
This review deeply reflects on Dmitri Shostakovich's Symphony No.13, inspired by Evgenij Evtushenko's poem 'Babij Jar'. It portrays the brutal massacre of Jews in Kiev and explores themes of memory, censorship, and artistic resistance. The narrative connects history, poetry, and music as a powerful tribute to Holocaust victims, emphasizing the ongoing importance of remembrance. The review also underscores the symphony's political challenges and its role as a vocal monument against oblivion. Discover the moving legacy of Shostakovich’s 13th Symphony and how art confronts history’s darkest moments—listen and reflect today.
Poetry, the art of putting words in sequence, he already loved that madly back then (and he will love it madly forever). The music is indeed harsh, vitriolic, but not like before... now it seems eroded by a faceless, nameless melancholy and rendered, thus smoothed, perfect.
Poetry, the art of putting words in sequence, he already loved that madly back then (and he will love it madly forever).
The music is indeed harsh, vitriolic, but not like before... now it seems eroded by a faceless, nameless melancholy and rendered, thus smoothed, perfect.
This review reflects on Diaframma's album Siberia Reloaded as a poetic and nostalgic journey from youthful anger to mature melancholy. It highlights Federico Fiumani's unique songwriting rooted in poetic expression and explores the evolution of the music from harsh rock to a gentler acoustic style. The album serves as a bridge between past and present emotions, inviting listeners to experience both the rawness of youth and the acceptance of time's passage. Listen to Siberia Reloaded and experience Federico Fiumani’s poetic journey from youthful intensity to mature reflection.
"Lenny Bruce is back to life and still fighting to express himself freely without censorship." "The repression of a word deemed offensive only served to give it violence."
"Lenny Bruce is back to life and still fighting to express himself freely without censorship."
"The repression of a word deemed offensive only served to give it violence."
Bob Fosse's 1974 film Lenny delivers a serious, powerful portrait of comedian Lenny Bruce, a pioneer of free speech who challenged societal taboos. Through sharp black-and-white visuals and outstanding performances, particularly Dustin Hoffman's, the film highlights Bruce's battles with censorship and hypocrisy in mid-century America. It serves as a moving tribute to the cost of artistic freedom and social critique. Discover the gripping story of Lenny Bruce and Bob Fosse’s masterful direction—watch Lenny for a compelling cinematic experience on freedom and society.
Mediocre movie, much less than what the trailers and the television promotion built around it promised. It is NOT a movie I would watch twice.
Mediocre movie, much less than what the trailers and the television promotion built around it promised.
It is NOT a movie I would watch twice.
The review criticizes Paolo Sorrentino's 'È stata la mano di Dio' for its slow pacing and reliance on obvious nostalgic elements. The reviewer found the movie disappointing and not worth rewatching despite its promotion. It also highlights the predictable inclusion of iconic Neapolitan references like Maradona and Pino Daniele. Overall, the film is seen as lacking originality and inspiration. Read this critical review before watching Sorrentino's latest film to decide if it's right for you.
Testalunga: 'I might stick with my first guess. Bertin Osborne.' Jenny Sfotti: 'The Deep Purple were listed in the Guinness Book of Records as the world’s loudest band following a concert at the Rainbow Theatre...'
Testalunga: 'I might stick with my first guess. Bertin Osborne.'
Jenny Sfotti: 'The Deep Purple were listed in the Guinness Book of Records as the world’s loudest band following a concert at the Rainbow Theatre...'
This review of Deep Purple's album 'Whoosh!' takes a unique and humorous approach by framing the album's exploration through a playful quiz show narrative. It combines detailed rock trivia, band history, and witty commentary that entertains while informing. The tone is lighthearted and engaging, celebrating the band's legacy with affectionate humor. Overall, the reviewer shows appreciation for the album while delighting readers with storytelling. Dive into this witty Deep Purple review and discover the fun side of rock history with 'Whoosh!'—listen and enjoy!
"[The CD] screamed and made the window panes rattle." "It talks about satanic stuff with murdered bodies and all the blood splattering left and right, up and down."
"[The CD] screamed and made the window panes rattle."
"It talks about satanic stuff with murdered bodies and all the blood splattering left and right, up and down."
The review vividly captures the intense and raw energy of Sadistik Exekution's K.A.O.S. album. It describes a personal transformation triggered by the brutal sounds and satanic themes. The chaotic, aggressive musical style provides emotional relief and a powerful listening experience. The reviewer highlights the album's ability to shake the listener and invigorate passion for extreme metal. Dive into the raw chaos of Sadistik Exekution's K.A.O.S. and feel the true power of extreme black metal today!
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