Cover of Paradise Lost Paradise Lost
Big D

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For fans of paradise lost,lovers of gothic rock,metal and rock crossover listeners,listeners seeking atmospheric and melodic music,fans of 90s metal evolution
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THE REVIEW

Once, I read the description of Paradise Lost in an old metal encyclopedia. The text said: "One of the heaviest bands on earth, their cold and leaden death metal makes bands like Candlemass appear essentially harmless". At the time, PL was a young band and the term "death/doom" hadn't yet been replaced by the still rarely used "gothic metal", of which this band would probably become the major exponent (mind you: I'm talking about pure gothic, not the stuff circulating today with orchestras, sopranos, and fantasy atmospheres). But let's talk about the album. For a long time, there had been rumors of a hypothetical return to the origins, and Nick Holmes and company helped to "spread the rumors".

Of course, it was only partially true; in fact, the work I have in front of me has little to do with death/doom, and perhaps, not even with metal.
Don't be fooled by the superficial cover of death-doom-heavy metal-with-leaden-and-depressing-atmospheres-that-push-to-suicide, this is a rock album. Decadent Gothic Rock would be the right definition, but I don't think it exists, so I refrain from using it.
Its peculiarity lies in the fact that, though not very different from those circulating on Mtv, the songs are extremely catchy. In fact, there are minimal experiments and electronic elements, with ample use of powerful rock guitars, sustained by keyboards that "create atmosphere".

Holmes is particularly inspired and, having completely abandoned the growl, offers us a nice warm voice, sometimes even slightly husky, capable of interpreting the songs at their best. The same goes for Mackintosh, who creates simple but never banal solos. The drumming is also noteworthy, as Jeff Singer constructs rhythms that are never boring, neither due to staticity nor excessive technique.
No song stands out aggressively over the others, but the best moments can be found in Don't Belong, Grey, the single Forever After, Close your eyes, and the heaviest of the lot All you leave behind.

In conclusion, this album might not change your life, but you could consider it a kind of "break" among many metal listens. At least that's what I thought.

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Summary by Bot

Paradise Lost's self-titled album marks a stylistic shift from their early death/doom metal to a more accessible gothic rock sound. The album blends catchy melodies with atmospheric keyboards and strong rock guitars. Nick Holmes delivers warm and husky vocals, abandoning growls for a more melodic approach. Instrumentation by Mackintosh and Jeff Singer adds depth without overcomplicating rhythms. While not groundbreaking, this album offers a refreshing break for metal fans.

Tracklist Lyrics Videos

01   Don't Belong (04:18)

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02   Close Your Eyes (04:19)

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05   Sun Fading (03:25)

06   All This Was (04:08)

07   For All You Leave Behind (02:58)

08   Accept the Pain (03:21)

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11   Forever After (03:36)

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12   Over the Madness (05:17)

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Paradise Lost

Paradise Lost are an English band from Halifax, formed in 1988, widely associated with early death/doom and the development of gothic metal. Reviews highlight their shifts from extreme doom/death to more melodic gothic metal, a prominent late-’90s electronic/synth-rock phase (notably One Second and Host), and later returns to heavier gothic/doom.
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