Best director Horror of all time secondo DeBaser.

❝ The only solution is madness.

❝ Have you seen the people in Haddonfield? Women, children, families like mine, living in peace all quietly in their homes. And you want to tell me they’re destined for a massacre?

❝ We’re not living in a Sutter Cane novel!

❝ “The television screen is now the only true eye of the human mind”.

❝ “I loved the illusion of a woman created by a man,”

❝ “Bless me? Do you know what God did for me? He threw an eighteen-wheeler at me, knocked me into oblivion for five years; when I woke up, my girl was gone, so was my job, and my legs were basically useless. Bless me? Yes, God has been a real benefactor to me...”

❝ “Night of the Living Dead” (1968). For the series “the classic that never dies.” In every sense.

❝ Third act of a historical trilogy, in its genre and beyond, “Il Giorno Degli Zombi” (“Day Of The Dead”) appears as the darkest, most reflective, heaviest and irredeemably political work of George A. Romero.

❝ Fourth episode of the mythical horror/political saga by George A. Romero, the true father of what is, in every respect, the most representative monster of the twentieth century: the zombie.

❝ The Freaks have their own law; by harming one of them, you harm the whole community. They do not need the help of the normal man.

❝ Freaks is disenchanted and leaves no respite for anyone.

❝ In particular, the latter is a dark, grim, vicious, and significant film (its significance also stems from the dirty, swampy setting that pervades much of the work).

❝ But now there's a true master, not just a director; you can't say anything to Mario.

❝ A peculiar director, initiator of the giallo and modern thriller in Italy, both craftsman and visionary, creator of sublime atmosphere before grand guignol low blows, master in the use of colors, extraordinary cinematographer, while not being part of that extraordinary and unrepeatable elite of masters who, throughout the '60s, thrilled (or at least almost always, see the famous incident of the sensational boos at L'Avventura) and swept the major European festivals, bringing cinema to new avant-garde narrative and auteur levels, it has long been known that Mario Bava was one of the most original, influential, and interesting Italian filmmakers.

❝ The film is a masterpiece, no ifs, ands, or buts about it.

❝ A special mention in this regard is deserved by a director like Roger Corman, who, working from 1955 to 1971, was known for making low-budget horror films that yielded large box office returns.

❝ A film definitely worth rediscovering, a classic of horror cinema that I unequivocally recommend to all enthusiasts, but also to those curious to see what a horror film from 1963 could be like without digital special effects and the rivers of fake blood to which splatter films of recent years have accustomed us.

❝ Dario Argento has earned the title of "Master of Italian Horror," having produced in the past absolute masterpieces such as L'uccello dalle piume di cristallo, Il gatto a nove code, Profondo rosso, Suspiria, Inferno, and in my opinion, also Tenebre, not to mention good films like Quattro mosche di velluto grigio, Phenomena, and Opera.

❝ Suspiria is instead a "triumph of direction" (quote), a true work of art that we have been envied for worldwide, and we should be proud to have a director with such extraordinary talents as Dario Argento...

❝ Therefore, a terrible film. Unless Argento also fell victim to the Macbeth curse, so much talked about in Opera.

❝ The final result is a masterpiece of horror cinema, with a bent towards social critique (cannibalism as a metaphor for American society's self-destruction, the condemnation of capitalism, etc.), chilling and visionary like only a few films have managed to be (indeed, in numerous countries it was banned or withdrawn from theaters). Unmissable.

❝ Unmissable, 1000 stars.

❝ Poltergeist is an IDIOTIC film, a completely IDIOTIC film, where it definitively kicks off the trend of stupid American families, culturally and socially clueless, dealing with paranormal stuff concerning ghosts, faith, religion, American Catholic heroism, and other star-spangled NONSENSE.

❝ "Lean out, lean out and give us one of your speeches On universal peace Lean out, lean out, come on don\u0027t get tired Lean out, lean out with your wide gestures And with your white clothes" (Edoardo Bennato, "Lean Out, Lean Out" 1975)

❝ If you Love Muccino, you'll Love this film.

❝ This film is dramatic. And in some parts, it borders on horror.

❝ Because the much-celebrated "L'ultimo Bacio" is one of the most overrated hoaxes in history, along with its author.