The current world of music listeners is divided into two: those who read Piero Scaruffi and those who don't.
I read him from time to time, and among the various readings, I came across the page about Faust, a band that I had always heard of (by hearsay) but never listened to. Well, the good Piero gives the first album of Faust a rating of 9.5 out of 10 points (10 means the best rock album ever recorded). A score that the know-it-all Piero perhaps only gives to two other rock albums.
Now, after reading Piero S.'s review, I go to get this great album by Faust. By now, I've vaccinated myself with everything strange and particular in music (Zappa, Velvet Underground, Boredoms, Xiu Xiu, Eno, Sonic Youth, Beefheart, Shaggs, Pixies, Merzbow, and a thousand others), so I wonder if this time Piero got it right and it will indeed manage to surprise me.
After 34 minutes of the album, I ask myself: is this the famous 9.5 album???
Come on, anyone who has listened to Zappa's albums from the '60s has already heard all this, and done much better.
This first album by Faust simply seems like a copy of "Lumpy Gravy" with some additions from Frank's crazy albums of that period ("Uncle Meat," "Burnt Weeny Sandwich," "Weasels Ripped My Flesh," and "We're Only In It For The Money"). Nothing more and nothing less. A good album but that's it. No masterpiece though, I'm sorry. And honestly, I don't hear any exceptionally original solutions of this infamous "krautrock." Everything had already been recorded in the Zappa albums I mentioned. Anyone who thinks this Faust album is a masterpiece should go listen to Zappa, please.
Sure, I'm curious to listen to the next three Faust albums (about which I've read enthusiastic comments around) and finally understand what's so special about krautrock. Because if krautrock is the first Faust album, then krautrock is simply synonymous with Frank Zappa.
To conclude (as we used to do with school essays), this album honestly disappointed me, let's see the next ones...
Tracklist and Lyrics
02 Miss Fortune (16:35)
Are we supposed to be or not to be?
said the angel to the Queen
I lift up my skirt and Voltaire turns
as he speaks, his mouth full of garlic
white, yes, white
misfortune of us two
he told you to be free
and you obeyed
we have to decide which is important
a war we never see
or a street so black babies die?
a system and a theory
or our wish to be free?
to organise and analyse
and at the end realise
that knowbody knows
if it really happened
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Other reviews
By Airone
Faust are magnificence and misery, madness and ecstasy, omnipotence and weakness.
The third and final suite, 'Miss Fortune,' is the masterpiece within the masterpiece, ingenious, constructed on modulation and counterpoints, noise, minimalism.
By Breus
Faust demonstrated an extremely personal and original idea of sound art, giving birth to something that had only some roots from the so-called kraut movement.
"Why don’t you eat carrots?" is an absolutely genius and out-of-the-box composition.
By insolito
Reinventing the way we conceive music. Sweeping away previous musical structures, turning the page.
Never has so much daring been attempted in the world of music, commercial or not.
By CosmicJocker
Life can be an endless sarabande, an astonishing collage of unheard sounds, a long, frenzied bacchanal celebrating the enjoyment of all the senses.
In the end, no one will know if all this truly happened.
By Caspasian
Faust gives us an ancient gift that enhances the collective consciousness of the species.
Faust is a 'WD-40', lubricant freeing some bolt captive of induced thoughts.