@[hellraiser] hey sorry, no I haven't played for about 25 years, I gave back the clarinet, it was borrowed after all. By the way, ah no I couldn't buy "David le Puma" because we are poor, and then if I buy for you since you are the smallest, I'd also have to buy for your brothers, right now we can’t. At school, it was borrowed, but I chose well, I picked the oldest one. The thought of having to assemble a wind instrument made me feel more than just disgust; I thought if I put it together wrong, I’d play badly. "Ah yes, I always start with 10,000 great intentions that fall one by one like the bowling ball of an American student who spends his days in a bowling alley, of course skipping class, even this term 5 km, rather far from Arzo to my house, the other, the building my first of the three houses in division) after taking the exam (also here, for 20 years he woke me up on the morning of the exam, which I did for my father because I hated the band, the town band, we thought we only played marches. Instead, once we adapted "Sorry" by Madonna, naturally it was Carnival, but it turned out to be really awesome (otherwise marches that aside "Frankly Mr. Shankly" by The Smiths inserted as the second piece of "The Queen is Dead"). By the way, how did you do
@, the clarinet, the teacher was better but when he discovered that he had to make me cry to make me study, he got behind me well, my violator, whom I followed with a romantic soul. Even when it was over he said, "David, maybe you didn't see well the door is in front then exit, go right there are the stairs and go..." and I was left petrified. Anyway, to finish a hellraiser discussion from 30'2'''' to 3044'' when he says "we dive down" then to reinforce it he repeats it but holding the note longer and it seems to me changing key "we dive doooown" to give the concrete idea of going down but with fun. When I read the lyrics I thought about simple things, yet it takes all the time even just to breathe. Listen to "Sweet Dreams" at the beginning and respectively for contrast at the end of "Nocturn". At first, you can hear it's still night, then it changes key again and you can hear the sun rising "oh it's come up on the horiiiizon" rising, rising, and it takes the time to say "a sea of honey" "a sky of honey", which are simple phrases but she shows it to you, at least I see it, also because from my window the other day in Italy the sun was rising while on the left you could see the night leaving in its turquoise and purple while in the east this "Sky of honey" was rising with the Po Valley still immersed in fog, fantastic the photos don’t do justice. These two mornings, very normal, the next time I'll make a video, it looked like a northern lights... Anyway, hellraiser is it correct to say that it changes key at 30 still that initial one then when it dives deeper holding the sound longer and deeper, almost verbalizing something very "SO". In fact, he is very close to PG and it's a tribute to him, then in my opinion.
