Corax

I thought about it again... practically perfect (screw the personal differences)!

Nice review, well done, I don't agree on some minor points, but those are just personal opinions, and anyway it's really well written....bye

Fuck Vincent, you're right, I'm an idiot... eheheh, I didn't notice! I'll improve... Fallen, what do you want me to review? Suggest something and we'll see if I have the right knowledge for what you're asking... Malfeitor, you said you want it, and I was already starting on the BlackLodge... but feel free to give me advice, I know you know as much or more than I do in the BM field, so you're welcome... by the way, were you able to get Cgristenblut by Vobiscum?? if not, I can pass it to you somehow... let me know. Hi everyone... Ps: telespalla, they don't talk about Nazi Germany or cannibalism, but it's also true that certain themes in extreme metal tend to repeat themselves, but what can you do!? I also prefer introspective and more philosophical or futuristic themes (Aborym above all), in fact, in my reviews I always give greater importance to the music, because that's what we're talking about here, but I also understand the choice of some reviewers to talk abundantly about themes, especially since for certain bands, these are essential to the context (for example: Fallen's beautiful review of Kristallnacht!).
Still hi.

It's not the best, but it's still fantastic; the masterpiece is there, and it's Morbid... and also Fuck You All!!!! it's no joke at all... Nattefrost is a character who thrives on jokes, drugs, and alcohol, so it's normal for him to come across as unstable and controversial... but still genius... cya

Well done, as always, great review... I would have elaborated a bit more, but after all, trying to convey this album is truly very difficult...

In what sense did you divide the stage??

I join fallen... well written!

Nice rec, good job... I don't entirely agree with the content, but to each their own... in my opinion, the best work of the dhg... I'm signing up for supervillain outcast... cheers

Accipuffolina, you’re really good, but how do you manage to write such well-crafted reviews... wow! And it's clear that you’re a connoisseur of music; indeed, John5 in Manson was hardly contributory—after all, he only contributed to the songwriting of The Love Song, The Fight Song, Disposable Teens, Target Audience (Narcissus Narcosis), "President Dead", In the Shadow of the Valley of Death, Cruci-Fiction in Space, A Place in the Dirt, The Nobodies, The Death Song, Born Again, Coma Black, The Fall of Adam, Count to Six and Die (the vacuum of infinite space encompassing) regarding the album HolyWood, while for the next one, The Golden Age of Grotesque, he co-wrote with Manson and Skold all the songs except the intro and the outro... mhhh... damn, really not that present within the band... and also live he was just kind of a jerk, I would say useless... yeah, you’re really informed and attentive in your judgments, good job, good job, good job!

Once again, in my opinion, you fail to convey how this album sounds... especially since you dedicate about three lines to it, you don't talk about how it sounds, what instruments they use, the type of singing, the themes... you don't mention the female vocals, damn it, you don't even mention LETHE!!!