Tabba In D-Shirt

DeRank : 0,00
DeAge™ : 7339 days • Here since 6 may 2006
The Velvet Underground The Velvet Underground & Nico
Voto:
Well, Cohen did more drugs, and he also lived a long life, hallelujah.
The Velvet Underground The Velvet Underground & Nico
Voto:
beat boy, listen, can't we compete over who got high the most? Do you realize that this kind of reasoning leads nowhere?? Reed even ended up shooting up on stage, something Jimmy never did, and he lived longer than Jim, maybe just a stroke of luck, and what about me? Lost in masquerade nights of lexotan, jagermeister, kobrett, and veronal? And yet I am aliveeeeeeeeeeeeeee!
The Velvet Underground The Velvet Underground & Nico
Voto:
Thinking about it, in a certain sense, rock could have ended with that album. It was like making neorealism cinema: is it better to end cinema with a "Ladri di Biciclette" or continue filming to create Tolkien-like nonsense for young and old alike? It's a matter of box office, but also of entertainment in a broader sense. The good movies today are seen in the dead of night, out of schedule, while the bad movies are on in prime time. Gigi D'Alessio goes to Sanremo, but Marlene Kuntz do not. The Nilla Pizzi will be remembered for this for another 50 years, while the Fausto Rossi will disappear in their vehement antisociality.
Depeche Mode Songs Of Faith And Devotion
Voto:
number 1 in England and the USA at the same time, in 1993 they were perhaps the only group (along with U2’s zoo tv) that in American land was able to overshadow the grunge scene.
Oasis Definitely Maybe
Voto:
look, the debut of the stone roses from 1989 is a thousand times better than this fucking rot, but our kekko certainly didn't bother to find and listen to it
My Bloody Valentine Loveless
Voto:
looking at the cover is like listening to the album
Sonic Youth Evol
Voto:
It is the highest point of Sonic Youth along with Daydream Nation.
Pink Floyd Live At Pompeii
Voto:
And anyway, it must be said that even if Syd had stayed in the band, I don't think they would have continued down the path of The Piper. Just look at the last two releases by Barrett—skewed and visionary folk albums that are still brilliant, but not exactly suites like "Interstellar Overdrive." I believe that the cosmic genius that Syd could no longer reach was already expressed with The Piper. For many artists, just one work is enough to be remembered forever, but I'm only talking about supreme artists.
Pink Floyd Live At Pompeii
Voto:
Waters and Wright wanted to break through, Barrett wanted to continue down the freaky and anarchic path. "Vegetable Man" was one of the last songs written by Syd for the group and was rejected by Waters and Wright because they couldn't present it on Top of the Pops as it was too dark and twisted a song. Waters was also a mad egocentric but more directed towards geometric expressionist forms, that is, conceptual; Barrett's madness was freer, more cosmic, but Waters wanted to create concepts, so Barrett was pushed out to make room for the builder Gilmour, capable of constructing walls and structures from the ideas of the architect Waters, Gilmour, the greatest session musician in history integrated into a band, as someone defined him.
Pink Floyd Live At Pompeii
Voto:
review of an irritating triviality, seems written by a 9-year-old kid.