giorgioladisa

I would have seen Poletti perfectly in the role of Guidobaldi Maria Riccardelli...

Guidobaldo Maria Riccardelli was forced for two consecutive days and nights to watch continuously in rotation: "Giovannona Coscialunga," "L'Esorciccio," and "La polizia si incazza." Until at dawn of the third day, the police really got angry...

Sudoku? Does that mean you're giving the numbers?

A miasmatic confusion of asinine clichés (by Woody Allen)

but what is it, a review or a fault-finding mission?

But what is a review or a hunt for mistakes?

I completely agree with Pataweb! Poletti "aligns" himself with the critics in the (remote) hope of becoming like them. Pathetic.

Sure, Zion, but I believe I hinted that Dante was referring to the Underworld of Born Slippy, not to those of Skycraper I love you. :-)

You're right, Zion, but I only remembered "Dreamland" with the infamous "Children" (in double version on the album). I've listened to it so many times that it made me nauseous and then... that unbelievably long intro on which the smoke machines of all the clubs worked overtime. But those were great times for electronic music.

A somewhat superficial review that labels house music as "club music" and the soundtrack for drunken nights. Maybe these definitions fit to some extent, but they're just the tip of the iceberg. Behind house music, there’s not just the drum machine but above all soul, R'n'B, jazz, and the entire black culture. I would also like to add that when the single "Whistle Song" (featured on the album "Beyond the Mix") was released, Knuckles was already at the peak of success both as a DJ and as a prominent producer in the New York and Chicago scenes. One more thing: how can you put Robert Miles and Knuckles in the same sentence? Do they have any relevance? None, either from a musical standpoint (I remember only one album by Miles with all the same tracks, from a subgenre of progressive) or from a temporal perspective (in fact, Underworld and Miles emerged in '96-97). Well done, nonetheless, on the choice.