Burns

DeRank : 0,00
DeAge™ : 7432 days • Here since 2 february 2006
Motörhead No Sleep 'Til Hammersmith
Voto:
one of the most violent records in history, if not the most violent, fully packed, sonic terrorism.
Dwarves Blood Guts & Pussy
Voto:
Oh my goodness, what pompous banalities... At least if this position were argued philosophically (which, by the way, could be shareable), but here there’s no Sartre, no Feuerbach, no Camus, and no Cioran, there’s just a twenty-two-year-old dreaming of fantastic blowjobs while looking at girls’ lips under some drug.
Procul Harum The Best Of
Voto:
I called you a clown only for the story about the mistake with the name cool-col, and that's it. The rest that you referred to as abuse of language was not directed at you but rather at the distortion that many make of the word culture, which does not mean having as many pieces of paper as possible hanging on the wall. So I didn’t distort a damn thing, and when I called you a clown, I did so precisely because of your inattention in writing that word after you were complaining about others' inattention. If you want respect, try to give it to others as well, and so keep the term abuse of language to yourself. I hope we are clear.
Alice In Chains Alice In Chains
Voto:
Yes, Mike Inez was also important for the group, even as a songwriter; many times he shared them with Cantrell.
Alice In Chains Alice In Chains
Voto:
a record with a dark, hallucinatory, otherworldly, drugged, afflicted, dead mood, as if one were contemplating one's own corpse with detachment, the singing is mournful and choral, impassive and apathetic like never before.
Pink Floyd The Piper At The Gates of Dawn
Voto:
Fuck you, piece of shit, you're full of shit in your brain, syderus.
Pink Floyd The Piper at the Gates of Dawn
Voto:
It's either a fake or a mentally ill person.
Pink Floyd The Piper at the Gates of Dawn
Voto:
"Despite this, we believe this absolutely unaligned product is the most inspired album of '60s English psychedelia." Sorry, who is 'we'?? It sounds like you copied it from a music magazine...
Pulp This Is Hardcore
Voto:
in my opinion an unbearable album, absurd to think that those who gave birth to it were the group of different class and his'n hers, songs that never end and are too shallow, too pompous without there being any real substance, an album that even made me feel nauseous when I listened to it. NO.
The Gun Club Death Party
Voto:
Miami remains different from Fire of Love certainly, as it delves deeper into Pierce's subconscious and where Pierce adopts a more subdued tone like in the great Mother of Earth, whereas Fire of Love was explosive and furious. Miami highlights a more depressed Pierce with feelings of surrender, yet in Miami I can smell more of their voodoo blues (Texas Serenade, Calling Up Thunder, Devil in the Woods, Sleeping in a Blood City, not to mention the incendiary reinterpretation of Run in the Jungle; damn, an album that contains a track like this can only be a masterpiece).