rebelde

DeRank : 0,20
DeAge™ : 7433 days • Here since 1 february 2006
Marlene Kuntz Catartica
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Nice second part of the review, which at the beginning dwells too much on the upstream... the album is beautiful (with three "s"), particularly, and I will never get tired of repeating it, "nuotando nell'aria"... but you’re right: "sonica" is truly indescribable...
Rob Zombie La Casa dei 1000 Corpi
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I give it a two just for the violence and the gratuitous cruelty, which still manage to keep you entertained.
Federico Moccia Scusa ma ti chiamo amore
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These guys are successful. Evidently, not everyone knows these things.
Federico Moccia Scusa ma ti chiamo amore
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@let there be rock: even if the review were useless, your comment qualifies as 'even more useless,' I would even say 'the Classic of Useless Comments.' The review, however, captures very well the distressing situation in which today's society finds itself, no longer even able to distinguish values from moral abominations, and fearfully inclined to be shaped by dramatically superficial, stereotypical, and above all wretched models.
Woody Allen Sogni e delitti
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I'm still very curious to see it... match point was beautiful!
Mohsen Makhmalbaf Viaggio a Kandahar (2001)
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Great review, Iside! We think we know how the world works, but all it takes is stepping outside for a bit to realize that everything is different from what we imagine, that the news cannot convey the world in half an hour, and that in truth, they don’t even try. This film is more of a documentary, in my opinion… and it’s also quite impactful.
Federico Moccia Scusa Ma Ti Chiamo Amore
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eh defender, I am innocent... I was only suggesting a bloody crackdown...
Federico Moccia Scusa Ma Ti Chiamo Amore
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a phenomenon that should be taken very seriously if one were planning a radical yet bloody cultural revolution
James MacTeigue V per Vendetta
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very nice movie, not too utopian... but it leaves a bit of a bad taste in my mouth regarding V's partial plan, I mean, he wants to overthrow the regime, he wants to awaken the consciousness of his fellow citizens, he succeeds, great, and then? well, that’s not really what I’m looking for when I go to see a film like this one.. and maybe that's the beauty of it: the Vendetta, and nothing else
Mel Gibson Apocalypto
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I completely disagree with your judgment on the violent scenes: I believe that Mel intended to represent, in the most coherent way possible, a small story, a sort of snapshot of everyday life, set in a world and civilization that are entirely foreign to us, and the violent scenes here only evoke, in an explicit, raw, and direct manner, what the sensations and situations of that particular context could have been. Furthermore, in the second paragraph, you recount the film's plot, even if briefly, and I think this is one of the most damaging things you could do: telling the story of a film whose narrative revolves around no more than two or three key events is to kill the film itself for those who have not yet seen it.