lux

The difference between Loveless and Primavera in anticipo cannot be merely cultural. In other words, culture necessarily implies a consolidated and appreciated style of communication, which develops within the history of the field being addressed (in this case, music). If we surrender to musical phenomenology, we succumb to ignorance.

I don't know why the review made me feel so sad... maybe with a name like Monkey Island, one could have expected something more.

Fiquata, if there are no objective parameters, on what basis do you appreciate or not appreciate any work? I mean, the bands you disdain, you seem to disdain quite objectively. And in some cases, I even agree with you, so why do you ignore that there is an objectively wrong attitude towards approaching rock (since that's the genre we're essentially discussing), when you know very well that the Pooh, for example, are perfectly identifiable trash that can be passed down to future generations as such? I don't have to rack my brains to say it; it's an obvious fact. Of course, not every case is so clear-cut, but that's another story.

I am excited

Song for the broken hearted I haven't listened to, I've only tried two works by Windy & Carl, but if I come across it, I'll definitely give it a listen as well. Anyway, Drawing of Sound also has long pieces, yes, but the endlessly repeated guitar patterns are too dreamy to be boring. In my opinion, there's no risk of it becoming background music, after all. Of course, you do have to be a little predisposed.

Thank you all. Brat, before sending the review I checked in a web dictionary and found "indulsi" as the first person singular.

Something tells me I resemble Samuel.

Sure, Iside, well she brought a few little changes, but even there, the radio seems to focus more on the atmosphere than on the game itself. Kind of like when in RE you could hear the shuffling footsteps of the zombies and their groans (like aaaaah half-muffled), even before seeing them. Anyway, some prerendered scenes remain iconic, even if they’re not dynamic... Yes, that's me in the picture, uncle! Now don’t tell me your niece is 14, because I’ll throw myself off the balcony...

The psychological element of SH is not in question, but from a gameplay perspective, it’s not a revolution compared to RE (which has always had its puzzles, let’s not forget that). I love MGS (even though, in fact, after the first one, they capitalized on it, but the formula was and still is too winning and engaging, and largely based on plot development, it intrigues us like another episode of our favorite TV show). The level of Forbidden Siren you’re referring to was indeed very difficult (are you in the school as a little girl? You’ll need to get the gym keys, enter it, and escape through an emergency exit that you’ll find, if I remember correctly). Anyway, the fact that most missions focus on a few square meters to scour while avoiding the shibito makes it stealthy and tactical; I really enjoyed that. Use a game guide if you can...

Doriane Hopeful, in my 5 years of Sociology, I have never heard of Riane Eisler... how is that possible??