zuckina

I have them all. Even Theorius Campus. Even the live ones. All of them. Even some unreleased tracks.

you adore de gregori from the '70s. period. you don’t recognize or can’t recognize the beauty of the rest. there’s nothing wrong with that, but banality is something else, come on.

the one about the grain dish is "the story." it’s a song for Italy by an Italian. it’s not cheesy. it’s the unconditional love of a man for the land where he was born, full of virtues and flaws. it’s simple and sincere.

For you, the Spider-Man ballad, will it seem trivial to pa' o mimì? Is the cook from Salò trivial? Answer like this so I can understand what you're like or how much you understand De Gregori. Without comparing them to De André. Just as they are.

I didn't target you. I was watching the review of Rimmel and I realized it was yours. I saw that you mentioned the wife and Venditti, and I understood that you're still tied to the '170s version of De Gregori and all the gossip that was going around at that time. I realized you got offended. Anyway, De André was great, but that doesn't mean De Gregori should be undervalued in his "social" songs just because someone was better than him. I never intended to make a comparison; you brought it up. And stop telling me to go listen to this or that. I have the entire discography of De André and De Gregori, I've read the books, I've seen them in concert, I've watched the interviews. I'm saying this to show that I know them, not to brag. I just want to say that I find your judgment on those De Gregori songs unfair. You think they are trivial. That means De Gregori doesn't appeal to you. That's all. Don't get upset; I'm not targeting you. And why are you so sensitive?

yeah, long live the fawning Italy...

I understand that you don't know De Gregori, that's all. There's no need to continue. You don't know him, or you simply don't like this album. Fine, but your judgments are at least unfair. Don't worry, I'll check out your reviews. Anyway, I was talking about De Gregori, I don't care what you think about the rest. What do I care about the topics of your other reviews? ;O) I don't know what the comparison is even about.

yes, beautiful lesson. I know you’re an expert but I already knew the things written on debaser about de André. I just wanted to make the one above understand that de André wrote songs of social protest but always intertwined with some story, of people, historical but always with poetry, not directly, in short without a raised fist and shouting. de Gregori does the same. which he identifies as banal. I don’t know what to think of this judgment. I wanted to be ironic but I didn’t hit the mark though. I wanted to convey the dimension of the social protest song that de André took, and which is often then taken up by de Gregori. in short, it was to attack the belief that de Gregori should leave the social protest songs to de André and sing about love instead. but what social protest is greater than love?

Good night then. I hope you can sleep more; at least you'll have less time to write your nonsense. But what can you expect from someone who listens to Bon Jovi? The R.E.M. are much greater than the Dream for many more reasons and much more objectively. It is what it is. And if they manage to put someone like you to sleep, well... there's always Bon Jovi with his pure rock to wake you up, right? Yeaaah, rock 'n' roll will never die!!!

Yes, easy, they are new. It seems they change the keyboardist every few years because they can't find one cool enough for them. Now you know that drummer over there and that other Italian guitarist want to produce everything themselves, to make sure that even the drummer's farts have their own distinct track. Which is important because if you can do 1000 things in a second, why shouldn't you let everyone know? You have to show off the entire repertoire; otherwise, people might think you went to school for nothing. Anyway, if you want to get to know them better, there are about twenty reviews on Debaser. They are new but already have a sizable following, sort of like the Spice Girls in the beginning.