psychopompe

DeRank : 13,33
DeAge™ : 8185 days • Here since 11 january 2004
Pop. 1280 The Horror
Voto:
Hello people, thank you for stopping by. I apologize if the musical references might not be quite right, but I don't know much about the aforementioned pigfuck, and the bands mentioned, especially by sfascia, I barely heard back then and not very well. That's why I think more of the fathers of that sound, like Chrome, than the later ones. Anyway, the important thing was to write about these debauchers, certainly not geniuses, but there's a bit of novelty and fresh putrefaction in the sounds that are going around these days.
My Morning Jacket It Still Moves
Voto:
For a long time, I wanted to write about it, then I gave up. Great to talk about It Still Moves, together with Z (you’re right + tighter and with fewer weak spots) their best. Amidst the devotion and obsession towards Neil Young, anyway, Jim James drops some killer tracks here and there. But am I the only one who notices the resemblance between Pecknold's vocal timbre from Fleet Foxes and Jim James??
Kinji Fukasaku The Geisha House
Voto:
Aside from Battle Royale, I had seen more of Fukasaku’s work, but my memory is seriously failing me. I’ve never given a damn about Geishas and their world, both when I lived in Japan and when I had to study literature on the subject at university. However, I’ll take your recommendation on Mizoguchi’s film. Since I see you’re informed and have less stereotypical interests in Japan, could you jot down a couple of lines about La Donna di Sabbia?
Spiritualized Sweet Heart, Sweet Light
Voto:
As much as I greatly prefer the "Spectrum" side of life, after Ladies & Gentlemen, this is the album that’s capturing me more than Pierce.
Number Girl Shibuya Rocktransformed Joutai
Voto:
Damn, I was living in Japan back in '99! And hell, I even had friends working in the Japanese underground scene, but there's no way they hooked me up!! After listening, I'm on the hunt.
Pink Floyd Live In Brescia 1971
Voto:
Good job talking about it, too bad the live (bought 20 years ago from my brother-in-law in the edition you mention with the white back cover) sounds terrible. Either they gave a shoddy LP or I'm deaf. I specifically remember the legendary Fat Old Sun (which I listened to last night in the Amsterdam version) being awful: the rhythm section is distant, I try to turn up the volume on the stereo, Gilmour comes in and it’s like the system is about to break down. I think it was recorded like next to the guitar amp. I hope there’s now a version that’s not just good, but at least decent. Especially since this bootleg cost about 100,000 lire back in the day.
Sam Amidon I See The Sign
Voto:
Good job Zaireeka, and excellent job Amidon. I was talking about it back when it was released with the user desaparecido Hal. I need to get it because in the end I gave up on my compulsive purchase, and now I kind of regret it. Bye.
Hot Tuna Hot Tuna
Voto:
beautiful album, discovered too late, damn me! Regarding the Jefferson's acidity, I retrieved After Bathing at Baxter's and Crown Of Creation, those are real acid trips! Good good, I see new psychedelic blood, always nice since we were down to 3 on the site.
De La Soul 3 Feet High And Rising
Voto:
bought at the exit, when I was a 13-year-old rapper (who would have thought, huh, given what I've been listening to for the last 20 years). Bought it on CD two years ago, still beautiful.
Jack White Blunderbuss
Voto:
Dude, you’re really laying it on thick. Good old Jack, who has always been an interesting character to me and has always impressed me as a guitarist, could have done without this album. I mean, it doesn’t exactly seem like the product of some profound artistic impulse, but more like a record deal, or at least the idea of “wow, I’ve never done a solo album, I guess it’s time I make one.” And I just found out we’re the same age. Should I try to make a solo album too?
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