sfascia carrozze

DeRank ™: 39,03
DeAge™ : 7562 days • Here since 25 september 2005
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Paolo Fresu/Gianfranco Cabiddu Sonos 'e Memoria - Carbonia 21-08-2005 - Rassegna Estiamoinsieme
Paolo Fresu/Gianfranco Cabiddu Sonos 'e Memoria - Carbonia 21-08-2005 - Rassegna Estiamoinsieme
28 sep 05
Voto:
Of Tastes (as it will eternally be..).
A sweet invitation (regardless… as Prince de Curtis used to say) to take note of the ignoble domestic policies and not (…and here too a nice DE GUSTIBUS) of our (un)happy puppet government. A nos bidere cun saluri.
BandaBardò Concerto - Carbonia 31 luglio 2005
BandaBardò Concerto - Carbonia 31 luglio 2005
28 sep 05
Voto:
De Gustibus (as it will eternally be..).
However, it doesn't seem to me that anyone has ever insulted our super-presidentissimo-del-consiglio : (hopefully only for a little while longer...). It is only an invitation to acknowledge His disgraceful internal politics and otherwise (and even here a nice DE GUSTIBUS).
A nos bidere cun saluri.
Napalm Death The Complete Radio One Sessions
Napalm Death The Complete Radio One Sessions
28 sep 05
Voto:
The greatest extreme album of all time. (period)
I wonder: if you don’t like (or don’t understand) the genre, why do you tend to self-harm (as well as your eardrums) with such musical jokes that also affect your reproductive/spherical apparatus?
Uh… don’t take it the wrong way: but who forced you to abandon, even just for a moment, the “greatest-intellectuals-ever-very-c lear-minded-musicians” Morbid Angel?
Maybe you don’t even appreciate “World Down Fall” (Grind-Masterpiece) by Terrorizer, (Earache Rec. 1989) right??
Too bad that 2/3 (that’s two-thirds) of the band is made up of musicians from the Morbid Angel you so highly appreciate.
Feel free to go back to listening and enjoying what you are able to learn and appreciate… you will definitely be happier and more satisfied.
Your trusted Sfascia Carrozze.
P.S.
The greatest extreme album of all time. (period)
Slipknot Slipknot
Slipknot Slipknot
27 sep 05
Voto:
Um.. pardon me, I was wondering what your chronological age is.. (blessed are you, if youthful..): would you really like to hear an EXTRAORDINARY drummer (metal or not seems "LESS SIGNIFICANT" to me): well, search for (any "thing") from the polypegal percussionist HAMID DRAKE.. then let me know! Your trusted S.C.
p.s. in the metal realm (if that suits you better) look for "condemned" by CONFESSOR (Earache Rec. 1990): it features one of the most intricate drummers ever heard in these shores.
p.s. 2
on the band, out of modesty, I would refrain from fully expressing myself.
Candlemass Candlemass
Candlemass Candlemass
27 sep 05
Voto:
Oh my God... to claim that (in 1986) Candlemass "laid the foundations of a genre, Doom Metal..." seems slightly daring and somewhat "chronologically incorrect": surely since the mid-eighties they have released a couple of very pleasant masterpieces "revitalizing" (it may seem a sensory contradiction) the already defined sub-metal genre Doom.
Certainly "Epicus..." and especially the subsequent "Nightfall" ('87) have a qualitative significance far superior to the chronologically "surrounding" releases... This new self-titled work is certainly successful, evoking (out-of-time-max?) some of the most inspired moments of that (distant..) musical period.
Thanks anyway for the review... not having purchased metal publications for 7/8 years, I would have missed this (why not) nice Candlemass comeback.
At The Gates Slaughter Of The Soul
At The Gates Slaughter Of The Soul
26 sep 05
Voto:
Despite having "departed" for the noisy beaches a few years earlier (Celtic Frost + Bathory for breakfast, lunch, and dinner..), I have literally consumed "S.O.T.S.": undoubtedly their most concrete and captivating work; a practical demonstration and significant example of how to play crushing & (moderately) fast Swedish-death without coming across as yet another furious, carbon-copy (albeit venomous) version of Slayer during the Reign In Blood era (whether you like it or not, the "basic concepts" of modern thrash/death inevitably start and develop from there..) and the thrash/death scene of the mid-eighties.
A great little record: very well-constructed tracks with that sense of catchy "sonic continuum" (if I may use the improper term) that rarely makes the (necessary) classic difference.
Buy Or Die (as it was written on the legendary H/M...)
Pram Dark Island
Pram Dark Island
25 sep 05
Voto:
Damn that Samuel... I can't keep going on like this!
Every review (suggested by the DeBasers) that I add to the multiple readings sparks curiosity to the point of having to search/rummage (online, of course) for more burning acoustic material to listen to in those ringing earpieces...
Muchas Gracias, anyway and however, for the verbal legacy mentioned above.
Stefano Bollani Les Fleurs Bleues
Stefano Bollani Les Fleurs Bleues
25 sep 05
Voto:
Bollani (perhaps... and I say perhaps) represents one of the rare, real, "cultured," concrete lifelines (how can an anchor -by going down- save someone... I can't quite grasp it) in the suffocating musical-tricolor landscape: to this day, so drained by the wait/listening (making the necessary distinctions of "genre/thickness") for a (any) significant paolo-contesco gasp, it flounders and stumbles without great moons shining on the horizon (...but what am I saying ??) ...a big bravo + to "our" Bollanesco pianofortista/vocalista.
dEUS Pocket Revolution
dEUS Pocket Revolution
25 sep 05
Voto:
I appreciated the gods in a faint way on the debut "Worst Case...", however, while reading your "posting" lines, how can I say... you made me curious to give them a new (De)chance of auscultation. A nos bidere cun saluri. Your confidence wrecking crew.
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