voiceface

DeRank ™: 1,82

DeAge™ : 7596 days • Here since 21 august 2005

Franco Battiato Joe Patti's Experimental Group

23 sep 14

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Review, I would say, concise. I will buy the album, just like I do for all the new Battiato albums since I've had cash on hand.

Jack White Lazaretto

20 sep 14

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I can't make myself like him, even though I acknowledge that he's good.

Not all the tracks are covers; at least six songs were written by Battiato for Alice. Chanson egocentruique and i treni di tozeur, on the other hand, were born as true duets. I disagree with the interpretation and arrangement of Prospettiva Nevski, which I believe lack the intensity of the original version. Another critique: Alice, in her interpretation of songs not written with her in mind, tends to insist a bit too much on her more austere tones, which penalizes her beautiful voice.

John Frusciante Curtains

5 aug 14

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Why write a review with such a confiding tone? Frusciante has style, but let's forget about comparisons with Hendrix, who is technically from another planet.

Nirvana Nevermind

31 jul 14

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skua83, you were run over, but you asked for it.

Queen Queen

17 jul 14

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I don't understand the polemical tone of the review.

Franco Battiato Introspettiva

4 jul 14

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One must approach Battiato with reverence and precision: the first is not lacking, the second is missing.

U2 No Line On The Horizon

1 jul 14

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a review that would have been useless even the day before the album's release

Damon Albarn Everyday Robots

17 jun 14

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Yes, it could be that I'm influenced by my perception of Albarn... then there are the missing references, because it's the first solo album... in this case, I've made my utmost effort to abstract: however, the more I listen to the album, the more I simultaneously appreciate it while noticing this "excess" of effort. Obviously, being mistaken is one of the hypotheses on the table :-).

Coldplay Ghost Stories

2 jun 14

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The singles are very beautiful, I will definitely buy the album... with all the contradictions, Coldplay with their (excellent) mainstream music are already part of history, while hundreds of alternative bands, praised by critics, will forever struggle in anonymity.