voiceface

Okay for the effort, which is always needed... but when reviewing historic albums, one should try to say something different: using the adjective "beautiful" six times is not a good sign, but there's always room for improvement. The album, in its genre, is superb.

there should be a forum to talk about these things... since I wrote the review and I put a lot of passion into it, I’d like at least on this page to discuss this, if there’s a desire to talk about it...

Many of you are in the phase: this album is better than the other, and frankly, I always think that the most beautiful one is the last I heard!... Battisti's whites are a unique episode, at least in Italian music, they escape any standard, like: this piece is radio-friendly, that one is for concerts, this other one is more emotional: I can only talk about them trying to convince someone to listen to them... for now, I've only succeeded with my brother!

Oh my God, everything has to fit on one line!... pardon... just a few clarifications: I chose the voice of the face as an example only because it fits well with the concept I wanted to convey; I don't believe in Hegel's linearity, but I am convinced of its remarkable catchiness, despite the way it was written; I didn't say that Hegel is the best of the white albums, nor that it is the most cryptic; all the white albums feature a drummer in the credits except Hegel, thus it is the first album with electronic drums or, at most, played by Battisti himself... question: why, despite being recorded, does this post appear anonymous?... voiceface