G__á

DeRank : 1,57
DeAge™ : 8580 days • Here since 12 december 2002
Pink Floyd Live At Pompeii
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dear dick, I'm sorry, but the first one to make classifications is you! And coincidentally using the same measure that the little devil up there used, which is to consider those who imitate something already done as inferior to those who have experienced/created/composed/perfor med that thing for the first time (what you call seminal!). When you set the rankings, it seems like pure gold; when others do it, it's just mental jerking...
Pink Floyd Live At Pompeii
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(I managed to write a few lines and that little devil posted a half treatise, I’d better go grocery shopping.)
Pink Floyd Live At Pompeii
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And don’t say that classical music doesn’t have a variety of sounds… of course, you can’t create every kind of special effects like with a synth, but I’ve attended contemporary music concerts where the orchestra produced incredible sounds that suddenly imploded at a point in the hall: no stereo in the world could reproduce those effects. And that’s the difference: a digital artificial sound can be reproduced on a home stereo from a CD; a classical orchestra cannot!
Pink Floyd Live At Pompeii
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Then you're using the wrong term, a note cannot have modulation. According to Wikipedia: In music, modulation corresponds to a change of key... like in radio: frequency modulation. You mean timbre.
Pink Floyd Live At Pompeii
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wait...
Pink Floyd Live At Pompeii
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"The classical plan has no modulations"? What the hell are you talking about? If there are no modulations in classical music, then where?
Animal Collective Here Comes The Indian
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Hi Northe! You're not the first to sing praises of this band and not just on this site... curious about all the acclaim, I went to see one of their concerts not long ago and I was extremely disappointed: amateur musicians, cliched effects, annoying noise: I didn't like it at all and I left before the end. Maybe their CDs are better or perhaps they're just not my kind of band!
Ludwig Van Beethoven Sinfonia No. 7
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Yes, "the Dionysian symphony," many have said it and it's true: certain moments are nothing short of ecstatic. What strikes me the most, especially in the allegretto, is the ability to express both joy and sadness at the same time... one eye laughs and the other cries.
Ludwig Van Beethoven Sinfonia No. 7
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Surely someone will discover "the absolute masterpiece" thanks to these few, but well-placed lines. A thank you to Zigghio who anticipated my question: I was looking for a new version of the seventh, since the Furtwängler I own is a bit dated (in terms of sound quality, that is).
AA.VV. Mtv Europe Music Awards 2005
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PS, Devon's eyes made an impression once again!