Mr_Iko

Your comment, made so unreadable by the ostentatious abuse of k and ellipses, only reinforces my prejudices about the actual ability of Muse to produce good music. You have written EXCLUSIVELY things that were already present in other comments, adding nothing significant or personal, yet you still stand out because you EVEN managed the difficult attempt to make incomprehensible (through an outrage against the Italian language) ideas that, if written according to common usage of characters, would be easy to understand. Bah! Listen to Muse if you like, but do it while reading a work of fiction so at least you gain something.

... che cosa puoi vedere? Il culto della personalità!

Nice one, I don't know it but I'm glad to have had a hint of it. Thx FSK, we'll catch up in Mi for a colossal "de profundis bibendum"...

sorry bassist! Things always happen so fast... I'm waiting hopefully for the photos to be uploaded, but dwarfs, I lovingly thank you for everything you do!

Anyway, in 1991, while you were listening to grunge (I was listening to it too, but not with the same intensity as you), I was listening to Time's Up and Bisquit!!! Sorry, but I'm still in a "Daug Wimbish trance."

For me, it's beautiful.

Wait, I'm writing the review of the concert on March 18th at Vox...

Good Vibrations, or the three and a half greatest minutes that have ever been written in the history of Rock (probably!): MMMMMMMMMMmmmmmmmmmm......umble mumble.... I'm thinking about how to respond...

Yes, well, Metheny would be able to make me look good too, even though I can hardly play anything in jazz... no, I’m waiting for Stern’s masterpiece all on his own. And he will, sure!

I have known Stern for quite some time, since I was studying guitar: my friend back then, with whom I shared the expenses (transport, handouts, and other educational materials - extremely expensive! - clinics, etc.), and I were following two different paths but exchanged a lot of advice (and tapes) about music. Well, while I was head over heels in love with Steve Vai, he was equally enamored with Stern. Those were the times when we would dissect every last note of "Upside Downside," "Time in Place," and "Jigsaw." He still doesn't have, in my useless opinion, the charisma necessary to join the ranks of the "inaccessible" (which you have already mentioned), even though collaborations with them are of great help to Stern. I do believe that his growth is steady and that one day, he will deliver the big breakthrough, the album that will make it into the top 100 recommended jazz records. Sooner or later. I don't have this album, but I won't buy it; I have a feeling that someone will send it to my house... sooner or later...