lac bringuez Banned

OHHHH DAVEJONCOGLION HAS BEEN HERE AAAAHHHH EEEHHHHHHHH OOOOOHHHHHH

and all the fuck yous and bastard I've said to culoz, pardon, to DULOZ? still mine...
Name: pure revivalism | Date: 11/5/2006 | Rating: | Album Rating:
IT IS EVIDENT THAT A WAR HAS BROKEN OUT BETWEEN BLOCKS: ANONIMO 1 2-THEOLOGIAN-THE ONLY TRUE-THAT WOULD BE THIS ONE, AGAINST ANONIMO 3 4 5 AND THE INTENT IS ALWAYS TO CREATE THE MESS THAT MAUR-EMULATOR THREATENS! EASYCURE WILL NEVER FORGIVE US AND PROBABLY WILL COMMIT SUICIDE BY SWALLOWING THIS ALBUM WHOLE IH IH IH IH IH Name: STRATEGA | Date: 14/9/2005 | Rating: | Album Rating:
Name: always me | Date: 11/5/2006 | Rating: | Album Rating:
BAAAAAAAAAAASTAAAAAAAAAAA YOU'VE BROKEN MY BALLS GIORGIO TAKE IT IN THE ASS, EASYCURE TAKE IT IN THE ASS, BIG D GET IT UP YOUR ASS WITH THE SHOX OR WHATEVER THE FUCK THAT SHITTY QUEER WANTS SO HE CAN STOP GRINDING BALLS HERE ON DEBASER, ROBI TAKE IT IN THE ASS, ZUCKINA TAKE IT IN THE ASS CHRIST ENOUGH CAN'T TAKE IT ANYMORE. GOD DAMN IT Name: NickGhostDrake | Date: 16/9/2005 | Rating: | Album Rating:
Name: here I faked it | Date: 11/5/2006 | Rating: | Album Rating:

CAZ-FAZ DE MERD 6 FULLY IDIOT HALF. GOOD ON THE REM ANYWAY.

Now you tell me what importance the REM have in music in general. Don't exaggerate, great band, immense band, fantastic band... POP. Point: POP, no importance in music in general, importance below zero in music in general. Great group okay, but it has nothing to do with music in general, come on... nice little songs but come on, for the REM I prefer the DT, at least there's music to listen to, not just four whines to death.
Name: puntiniCAZpuntini | Date: 25/7/2005 | Rating: | Album Rating:

AND SO... HERE YOU GO HERE YOU GO HERE YOU GO

oasis? YOU DISAPPOINT ME DEAR LOLLO

I've been out since May 2006, I can't spam on the most recent comments anymore, dear.

and more crap... crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap upon crap...

I THINK THOSE 2 ABOVE MADE A HUGE FUSS. TELL ME, DID YOU RECEIVE THE BROCHURES FROM SIRCHIA ABOUT DRUG ABUSE AT HOME? YOU SEEM MENTALLY HIGH.
Name: ANONYMOUS 1 | Date: 6/9/2005 | Rating: | Album Rating:
I WAS JUST THINKING THIS, DO YOU BELIEVE IT ANONYMOUS1? Name: | Date: 22/8/2005 | Rating: | Album Rating:
Name: ANONYMOUS 2 | Date: 6/9/2005 | Rating: | Album Rating:
OF COURSE I BELIEVE IT, SEEING AS WE ARE THE SAME PERSON!
Name: ANONYMOUS 1=ANONYMOUS 2 | Date: 6/9/2005 | Rating: | Album Rating:
!!!!!
Name: MODERN UNIMPEACHABLE THEOLOGIAN | Date: 6/9/2005 | Rating: | Album Rating:

I believe you've pinpointed the fundamental problem with the music of the 4 show-offs from Boston: the complete lack of any substance in their music... but this issue isn't just about the arrangements; it's about the very way of composing/presenting/interpreting/l iving music: mutilating sophisticated rock music (that movement aimed at breaking down the barriers between jazz and rock, and especially between classical and rock) by extracting it from its original context, stripping it of its compositional/philological/historic al and, why not, philosophical reasons... and so everything boils down to form. Of course, music can also be seen as something other than an art form; there are projects not aimed at creating works of art (Chick Corea Elektric Band, Bozzio Levin Stevens, Dave Weckl Band, Marcus Miller) that don't satisfy profound viewpoints, but none of these are so terribly exalted; they're taken for what they are. The Dream Theater, on the other hand, drag along legions of young enthusiasts who believe they're part of the future and the highest inspiration of music, not realizing that they are listening to more accessible rehashes (I want to see one of these appreciate Larks' Tongues in Aspic) that are more easily linked to the garbage they hear (the grandiose pompous ballads, for example), made from material that has already made history and created a school. If someone truly wanted to hear the future of prog (not understood as a genre, but as the philosophy of wanting to move forward by eliminating mental barriers, questioning banal musical certainties), they would listen to Tortoise.