alex 82

So... I have this, and in my opinion, the second half is a couple of notches above the first. I want to listen again, just for "a night like this" (wonderful) and maybe "screw" and "sinking." Strange, and for that commendable, the video of "close to me," which here, however, has a mixing that leaves something to be desired. I can hardly hear it, or at least it's missing something. Your review is nice, well done!

the smiles :))))

And having read almost all the comments above, I would be curious to know which new synthetic drug the anonymous ones are using. Effects like these don't fall within the known cases. You know that writing songs under these conditions of addiction can be extremely interesting? Peace to you all, guys, and to conclude with a brilliant quote (kudos to the author: I get what you mean), "I'll come to your house to take a shit" if you want, to seal our friendship.

I reiterate, this album isn’t that great. When I listened to it, I found some interesting things mixed in with bricks. I support the argument of those who say it draws partially from Queen, I could even point out which tracks and where if I could just fucking remember. The album wasn't mine, but frankly, I can do without it. Why do you have to stretch stories that you can tell in 5 minutes into 12 without any musical-emotional involvement? I mean, you mix 42 different tempos, endless sounds, and you bore me to death, and by the halfway point, I can't tell where the song started and where the hell I am at the moment. You see, it’s the development that doesn’t convince me. Too abrupt, unnatural. I know "disintegration" by the Cure doesn’t fit into this at all, but THAT is a song that could last twice the 8'15" (as I recall) that it is. And it has no tempo or melody changes. Yet it never bores me. It’s a matter of notes, of atmosphere. I partly agree with easycure on the expressiveness of DT (only partly because I actually like some tracks from Images and Words quite a bit).

Qzerty, your reference to Ruini is making me think. Are you perhaps signed up for the 013 forum?

Well well Qzerty! (it’s 3:00 am and I have the tools running. I'm discovering them now, they’re amazing). "suffer well" reminds me of "a question of time" in its progression. Ah, the review of "rockstar" is, as it was said on the forum, "irritating and half-baked like in the old days." Don’t you find it all very encouraging? Until 1990, they were always caught off guard. And we know what they produced. For example, that "some great reward" which strangely I don't see a review for and which I would like to do, but I don't have the right inspiration or enough time and knowledge. I don’t understand instruments at all, I can’t play, I can’t recognize notes on the fly. But I write. The fact is that this isn’t a time for "SGR" for me and not listening means I can’t review, unless you enjoy reading nonsense. However, one thing, quoting enkriko (MFTM), I’ll spend it on "If you want" by Alan Wilder: genius solutions, absolutely catchy, very gay (lyrics included). Last thing: don’t make me read the lyrics of Violator to Ruini. The effects would be comparable to a phone call from Enrico Preziosi (and here we go again...)

What do I see! Pasquale Padalino!!!!! lol

So... aside from the effects of alcohol that around three in the morning allowed me to listen to "enjoy the silence" in a "borderline" version, meaning I heard sounds that probably don't exist in normal listening (I was caught between dream and reality, guys, I was really tired and out of it), I was saying, aside from this, that rose there used as artwork must be a symbol. Could it be related to Umberto Eco?

Uhm, when the trigger is pulled, I’ll watch this and other films, and who knows, maybe I’ll manage to rework everything into some song-text that I occasionally enjoy writing. You can imagine who my reference author is and his mysterious and "double" style; for example, take a look at the comments towards the bottom of Qzerty's review of "DM: music 4 the masses." But first, I need an adequate grounding on the subject. I'll leave the nonsense to others.