antoniodeste

DeRank : 1,38
DeAge™ : 7682 days • Here since 27 may 2005
Grotus Slow Motion Apocalypse
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It seems only to you. What a vivid imagination. You enchant no one, worm.
Ivano Fossati Live @ Teatro Fraschini, Pavia 18.01.09
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Cretinetti trout-idiot: Don't waste your farts. Build a nice collection and then shoot them straight into your bloodstream. Simpletons like you can truly enjoy them.
Bo Diddley The Chess Box
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The little crap at 57 is just depressing. Go screw yourself with those jokes from an adolescent with psychological issues.
Bo Diddley The Chess Box
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Trout-idiot, I'll clear up the doubt; it’s best for you to just commit suicide. The applause will drown us out.
Grotus Slow Motion Apocalypse
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Mom, how witty. Whether you’re Pcchio or not, dull as you are, you remain a deflated balloon. Strange that you say you’ve left the caves. That’s your natural habitat. Odd that no one has given you the official license of Pain in the Ass yet. Or if you prefer, Worm.
Grotus Slow Motion Apocalypse
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You, on the other hand, just can't seem to avoid yourself. And especially can't avoid making us read your bullshit. Wow, it looks like the deflated balloon has woken up from its slumber.
Grotus Slow Motion Apocalypse
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From the cadence, I would say that the jurix belongs to my lands. And very close, too.
Grotus Slow Motion Apocalypse
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I would say that after reading the sheet, the comments, and listening to the sample, the best thing is and remains the unique and superior style of the spakkatelai. I would suggest, however, Sfascia, and I say this quietly, that you have much better things to review, as I believe it’s certainly amusing for a brilliant mind like yours to provoke the debaseriani with such vacuous matters. Regards, thrang-thrangzosi. (Gozinbulx)
Iannis Xenakis Pléïades
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Xenakis is a very challenging author and not for everyone. Years ago, in my area, Maestro P. Bertelli, with the ensemble Brake Drums Percussion, toured with Xenakis's Pleiades; the live result was exhilarating for me and a few other enthusiasts and aficionados, but frankly not easily digestible for the rest of the audiences, who were at most impressed by the technique of the performers. The sheet is conducted in a didactic tone that sufficiently illustrates the technical aspects. However, it seems to lack specific analyses or in-depth personal opinions that wouldn’t hurt.
Crosby & Nash Wind On The Water
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Great beautiful card mine. Realistic, direct, and disillusioned about the socio-political-human landscape that surrounded the two at the time of the release of the work (and now it’s even worse). Good also your interpretations on the ways of interpreting the pieces. I reiterate, but you already knew, that "Critical Mass" and "To The Last Whale" are among the highest peaks of the singing art of the two.