antoniodeste

Lolli has always been one of our great authors. I was fortunate enough to see him present, right in '76, when "the gypsies" were about to become "a UNESCO World Heritage... at least Italian" this work, which I consider one of the poetic-musical-political cornerstones of an entire generation. I haven't had the chance to verify this operation yet, which, of course, curious enough, revives the memory (and hopefully the interest) of one of the most beautiful musical pages of those years. Beautiful review, Lazzaro, and sacred political considerations, even if, paradoxically, talking about "organization" (even if it seems to be the obvious best solution) in reference to possible cultural alternatives is unfortunately no longer sufficient in times like these, with regime rulers like these. Thanks anyway for the notification and the analysis.

Offramp is undoubtedly a very important piece in the journey of the guitarist from Missouri. Mark Egan had just left, replaced by the more "complete" Rodby, and soon Danny Gottlieb would also depart for the enigmatic "Mr. Cymbal" Paul Wertico. It is also the first work where the guitar synth makes its debut, which Metheny still uses today with sometimes extraordinary results; and let's not hide it, it contains one of the "legendary" pieces of the Metheny repertoire, which is "Are You Going With Me?". After some time, Metheny also left ECM, under Manfred Eicher, and the creative carousel moved to other destinations. Personally, I favor "Pat Metheny Group" (which features the extraordinary "San Lorenzo"), but as usual, it's a more or less personal and "affective" matter; "Offramp" remains a more than good work, and tracks like "Au Lait" or "Eighteen" are more than ever eloquent about Metheny’s mastery in creating captivating and emotionally engaging melodies.

Come on, let’s start a band, in the style of Hancock's Headhunters from the '70s. It features special guest Bennie Maupin on bass clarinet, you on the black keys of the Fender Rhodes, and me on the white ones. If we feel like it, in response to Dave Liebman's persistent requests, we might occasionally let him play the soprano. For the bass, no problem: Felix will be begging us. The “smiling” and, I might add, hedonistic Don Alias will back us up with the tumbas and rototoms, and… Patrizio, annoyed by such grandiosity, will definitely recommend us for a contract with David Geffen. From there to Joni, you’ll see, it will be a short leap. Only then will we be two happy men, even if you haven’t read a single line of Jaco's biography yet! Then we'll get derecenzied on Debaser and have our usual uproar of mixed opinions. But can you imagine the fun? Are you on board with this idea?

The display is remarkable and I truly appreciate it (really). But, I still haven't understood whether you're alluding to television screens or live appearances in the flesh. If you allow me, there's a significant leap, and I hope you'll agree. In the list of bass players, you didn't mention one who MUST be in your headphones (earbuds), which is Eberhard Weber. And what about Niels Henning Oersted Pedersen? And Mr. Manring? And Mark Egan? And Matthew Garrison? Even if you're joking for fun, I couldn't care less (said with kindness) about that unfortunate (yet brilliant) Marcus Miller? He's burned all his cartridges with Miles Davis.... And let me call the "Duke" Ron Carter rude. I saw him, let's say 15 years ago, and he拒绝 my (friendly) invitation to record a two-parter for the radio where I was shooting mine. What a nice guy! Lee Konitz, Brecker, Heckstall-Smith, Mel Collins say "yeah!" and he: "No, I can't do that for you," and he just stood there looking at me as if I were brain-dead..... I imagine you know this to conclude, but Felix has a brother. His name is Julius and he plays drums. If you go to our beloved's website, there's a tasty yet "green" version of "Teen Town" performed by the offspring with their band. And then listen to me, Caz; read Jaco's biography. You must do it. You owe it to yourself.
Fraternally (am I exaggerating?)

As usual, many opinions; the satisfied, the disappointed, the convinced, and the enthusiastic. To be frank, it seemed to me a great piece of work, even though I had never heard anything from the group before. Then I listened to "()" and "Agaetis Brjiun," but the feeling and impression did not change. We are indeed facing a "different way" of understanding compositions, structures, and melodic-harmonic interweaving. The geographical origin clearly has an influence, and of "new" things, I might be wrong, there aren't that many. Of course, as usual, it may or may not please; Jonsi's voice might come across as annoying; certain "sweetenings" or "easy romanticisms" may seem cloying, but here we have a band that really knows how to make incredible music!
Even if they might last for only another year or two and their creative spark could fade, let's enjoy them now in their current "visionariness."

Tell me one thing, Stefanet: are you a Guitar Player?
Hasta la vista :)

Not to be harsh... but you would really read some beautiful things... unless your "friend" has already mentioned them to you. And... have you ever seen Jacob live? Patrizio and... Lillo Maggi or... the same "Lady of the Canyon"? Not to pry into your business, just wondering...

However, from the heavens above, I think he has read you.... and, smiling, maybe he would tell you that in the brass section, in the new version of the word of mouth big band, he would include Sonny Rollins, "Bird," and last, but not least, Kenny Garrett (or Gary Thomas). Perhaps a pointless question, Caz, but.... have you read the (beautiful and sad) biography of Jaco written by Bill Milkowski? If so, what did you think of it? Hasta luego :)

Alright, August has long passed and I've moved from a review of "Court & Spark" from October to this for ... resonance. Just a couple of lines to personally contribute to the sanctity of both the work and the video. In this latter version, I've been enjoying it since the '80s when a Beta-Sony version was released, followed by a VHS that’s hard to find. I can say that few musical footage has delighted me for the depth of its content and the quality of the musicians involved. The magic that the stage exudes is unparalleled. Jaco is really at his best, comfortable with an artist he evidently adored. I find the dispute (really grotesque, by the way) between Entwistle and Jaco to be superfluous. It would be like comparing Salvador Dalí to Cimabue. One did stunning things (yes, especially as a side note), the other REVOLUTIONIZED bass playing in the last 30 years. And we should also mention Stanley Clarke, who, however, burned out almost immediately... Joni has truly given us Lights and Shadows that I believe will remain unmatched in memory for a long time.

Yes, yes, yes, I join the chorus too! I even believe that "Court and Spark" can be listed alongside "Hejira" (which I love a bit more just for personal sentimental reasons) as one of the hypothetical 100 works that the silly human race could be proud of. I adore this album (and Joni) and Blackcrow (random nickname?....) really made me happy!!!! It’s a heartfelt, focused, balanced, and beautiful de-review. Well done!!!