open mind

I have to listen to them via......

Trellheim's "Singles Breaking Up" is also very nice; it was released after their first two albums, "For Respect" and "Don Caballero 2," but it’s a collection of singles and unreleased tracks from the period before "For Respect," meaning before '93... listen, the first two are phenomenal... if you already like "Singles Breaking Up," you can't miss it, whoever you are... hi Trellheim, nice to meet you on Debaser...

I literally adore it... I can't detach myself from it... I didn't know anything about their origins, but the album before, Shaping the Random, introduced me to them (great record, heavy as you know) and here they've evolved into something even more beautiful... I really love this album.

"even the skeptics"......the illiterate skeptics

ha ha ha ha huge laughter......

good job teen, go check the mistakes of others when you can't even write yourself... ha ha ha ha ha, permanent laughter....
"I will say what kurt meant to me" go back to the teacher who teaches you to put the h in front of the verb avere.....
ever more hilarious!

teen how old are you? 2? you make me laugh so much that I almost like your comments.....

for what it sounds like: forget it.....

In short, I believe that a good (or excellent) musician (not just a good instrumentalist, let's specify) is someone who can "transform" their skills and knowledge (small or large, regardless) into emotions and sensations (melancholy, sadness, joy, etc.) for the audience and for themselves. You would agree that technique alone is not very useful, right? For example, I believed you when you said that some of your students can play Metheny (or, to avoid an improper example, let’s use a jazz musician you prefer) by heart... the problem is that no one cares about a faithful and perfect reproduction of a piece. What matters more is how the musician can interpret it and make it their own (and thus convey emotions) to the extent possible... don’t you think?

Oh, thank goodness we have the ego... and by the way, Emanuele, do the Beatles really suck that much? (Honestly, I’m not a huge fan either.) With no offense intended, let’s continue supporting our diametrically opposed hypotheses... our discussion is almost futile... Goto has expressed much better than my words what I've tried to say in this never-ending discussion... Of course, I may not delve into the language of the musicians you mentioned, but as I’ve repeated multiple times, this doesn’t prevent me from appreciating the music they create... damn, music is, in my opinion (or at least should be as much as possible), a universal language that everyone can appreciate....
How can you say it's a raw and manipulable emotion? There are so many musicians who have mind-blowing technique and knowledge, and they play like gods, but they don't convey any particular emotion to me... in fact, they almost seem unlikable because they rely exclusively on their technique to mask a lack of inventiveness and creativity (not saying all, but I assure you there are plenty)... and I don’t believe that your emotionality in extra-musical fields is easily manipulable either... don’t underestimate yourself, it’s not like that... of course, as Goto said, you can not only appreciate a certain musician but also understand them deeply because you have the means and the knowledge...