Giubbo

DeRank : 2,34
DeAge™ : 7803 days • Here since 27 january 2005
Borbetomagus Barbed Wire Maggots
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I meant SIGHTINGS. I reiterate the respects (including the type).
Borbetomagus Barbed Wire Maggots
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Sfascia should consider the aforementioned proposal of mine. Any references? Black says, Lightning Bolt, This Heat, Flying Luttenbachers, Sightings (regarding the latter sfascia-band, I invite you to read my 2 reviews featured on the site in question). Regards, tympanopneumo-demolecularizers.
Borbetomagus Barbed Wire Maggots
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big smash. I've heard them mentioned more than once. They say that a recent group, the talibam!, draws from their language. Do you know them?
Ethan and Joel Cohen Non è Un Paese Per Vecchi
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an absolute masterpiece that stands alongside (certainly not in style, but definitely in absolute value) that underappreciated gem titled "The Man Who Wasn't There," also by the Coens. No Country for Old Men is a film that is utterly ruthless in its immorality, gratuitous violence, the frustrated impassibility of the killer, and its cynical dialogues (the only common point with The Big Lebowski). A gut punch, indeed, a barrage. Congratulations on the review, written in a genuinely intelligent way, that truly offers something different from the thousands of other reviews.
Tim Burton Sweeney Todd
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A review that seems to copy the plot from a movie theater flyer. I’m sorry because the film deserves so much more. Starting with the songs, all splendid: each character sings only 1 or 2 melodies, and every time, based on the context, the words change. The vocal overlapping is also beautiful. The “excuse” found by the diabolical Todd and Lovett (the most misanthropic people you could meet) to kill everyone is excellent: “everyone deserves to die.. it is right to shorten the life of the cruel person; for the weaker person, it will be a relief to have their life shortened.” And then again... “since the dawn of time, men have eaten each other. who are we to prevent this?” Truly excellent is the ending, where it is revealed that Todd is a nihilist son of a bitch, let alone revenge...
Paul Thomas Anderson There Will Be Blood (Il Petroliere)
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Poletti, go to the cinema to see this film. No exaggeration: Kubrick and Welles. If you watch it on TV, it's a different thing.
Paul Thomas Anderson There Will Be Blood (Il Petroliere)
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Well, you could have said a bit more about this masterpiece. The initial sequence immersed in silence is a textbook example of pathos. The dialogues are fantastic. But above all, the characters are perfectly developed, especially the main one (Daniel Day Lewis) and the obsessive boy shepherd from the church. Brilliant directors and actors, otherworldly as usual Daniel Day Lewis, who devours all the promising little actors of Hollywood for breakfast. A film, without exaggeration, that is already a legend, it is already history. A style somewhere between Kubrick and Welles, without imitating them, but with all their mature pretentiousness. The character of the oilman is nothing short of unsettling.
This Heat This Heat (Blue and Yellow)
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absolute masterpiece. every time I play it for someone, the reaction is always the same: they’re left in awe. it stirs the passion for music in those who don’t have it. it keeps you awake at night if listened to in the car, on a dark and desolate road.
Matt Reeves Cloverfield
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What would be the origin of the monster? I don't understand it.
Rexanthony Memorabylia
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rexanthony!!! damn!!! when I was 14, back in 1993, I was crazy about his music. Everyone made fun of me, especially those who only cared about grunge. I remember hard trance digital nightmares at 180 b.p.m. I was really into that violent synthetic stuff at the time. So many memories... co-co-ri-co, co-co-ri-co, ueiignaiignaiign... so many memories