voodoomiles

DeRank ™: 4,21

DeAge™ : 6195 days • Here since 23 june 2009

Love Contact

Zyklon World Ov Worms

9 mar 10

Voto:

He reviews a genre that I abhor, but he has responded to the criticism with style and a dialectical spirit. Well done.

Ann Radcliffe I Misteri Di Udolpho

9 mar 10

Voto:

I read "The Monk" by M.G. Lewis in Gothic, which I think plays with the reviewed primacy. A curiosity, given the cover: did you read it in English? If so, congratulations!

Tim Burton Alice in Wonderland

9 mar 10

Voto:

While I do really like Burton, Alice is truly a rather insignificant character.

Ernest Hemingway Il Vecchio E Il Mare

8 mar 10

Voto:

Dr. Cimmi, enjoy "Fiesta" and "To Have and Have Not" by Ernest.

Sly and the Family Stone Stand!

8 mar 10

Voto:

Always listening to everything by Filacon "There's a Riot Goin'On". Brave and Strong.

Gil Scott-Heron I'm New Here

8 mar 10

Voto:

Having consumed "Pieces of a Man," I found "I'm New Here" by the Poet surprisingly compelling; I didn't think he would record anything else. Waiting for Erykah Badu, beautiful black music.

Massimo Fini Sudditi. Manifesto Contro La Democrazia

8 mar 10

Voto:

Right attitude to reread The One and His Property. Fini (Massimo) draws uncomfortable truths from his paradoxes. Direct or representative democracy: what do Italians know and think about it? Let someone else think about it; I'm afraid that's the answer.

Wim Wenders Nel Corso Del Tempo (Im Lauf Der Zeit)

5 mar 10

Voto:

I enjoyed the movie re-watching it a century later on DVD last summer. After some time, this concise review manages to spark quite a nice off-topic back-and-forth. You can tell that our Wim is intriguing.

Faster Pussycat Faster Pussycat

5 mar 10

Voto:

Well, even Chinasky pretended. I will never listen to them and I will always go back to reading you as long as the eloquence doesn’t join the bodily effluvia.

Olivier Messiaen Turangalîla-Symphonie

5 mar 10

Voto:

In my nightclub "Quatuor pour la fin du Temps" and "Catalogue d'oiseaux". Retracing the critical path of the 20th century (Alex Ross, The Rest is Noise), I will certainly address it.