casamorta

Damn, you stole it from me!! What a hassle :) I’ll read it later and vote for you, bye.

I have always loved the cover like crazy!!

Thank you @EVERYONE for stopping by this page, and I say this not out of formality but because I "know" you and appreciate your presence and your sincerity... @Hell, what a character Neige is, his music always exudes and radiates huge sensitivity. @Ale9to, I don’t know the album you’re talking about...poor me!!! @Sotanaht, I don’t know what to tell you, it’s a very, very particular album...I’m convinced that if you talked about it with 100 people, you’d get 100 different opinions, each very personal and equally valid. You mention Emperor and Katatonia...yes, I can see the connection...but only very loosely...because you see, the strongest influence and the first reference will always be to Neige's bands, so you’ll find a bit of Peste Noire, quite a bit of Alcest, and so on...But in the end, this album has its own personality, it diverges from other references, so take my statement with a grain of salt... @Gasta: bastardissimo, where have you been? I would have written you a private message these days, in fact, I will anyway. I hope you’re doing well in the meantime...

..."removing the legs from crabs"?!? look...

Nice catch, Punisher. But personally, I don't agree with the talk about "kids today are not as sharp as they used to be," because you see... kids, children, always surprise you! It's us adults who want to understand them and categorize them according to our standards and experiences, and almost always we end up failing... Look, maybe I think they need to spend more time on the streets rather than in warm and cozy homes being pampered like big babies. The street, even getting into fights and taking hits, helps you a lot...

the morning after a hangover, you know that black dragons neeeeed to stop!!!! Luca Turullooooo help me!!!!!

Oh, I was just reviewing the latest from Lantlos, ".Neon." (I hope to send it by this afternoon...) I'm getting this album right away because it's exactly what I need right now.

I take the opportunity to greet you: F**K YOU!

Really great, indeed. On one hand, it is still true that <the very structure of the film seems indebted to classic narrative forms such as verismo melodrama and even farce and variety show>, on the other hand, it is precisely this state of "immaturity" of a Neorealism that had not yet gained self-awareness that effectively conveys the communicative urgency that informed Rossellini in the making of the film.