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Next time I’ll write "apocalyptic folk," which is beautiful as a definition and gives me goosebumps.

I am very captivated by these "snapshots that bring epiphanies," particularly I feel like I am inside a program by Alessio Bertallot. Brother. Yeah.

Hey guys! Everything's great. Why do you think country records always have such a clean, defined sound? There are some old ones that are amazing. Anyway, besides country, even "hybrid" things have this characteristic of beautiful sound, take the song "love hurts" by the great Gram Parsons + Emmylou Harris....

Lately, Cave seems to be on the decline. The album I liked the most is Murder Ballads. I’ve never really been able to appreciate him live. I’ve seen him with just piano and voice, and I’ve always found it boring as it got lost in indefinite digressions. Sure: he’s quite a character, with his outdated sunglasses, heavily hoarse voice, firmly set in the low tones (but it’s not serious) as if to give himself a tone. Then a bit of looting from Bob Dylan and Leonard Cohen (who does have a deep voice). In short, he gives me the impression of someone who builds that mysterious aura around himself and acts like the bad boy from a comic book. Paradoxically, I like him more when he makes fun of himself in the videos that have recently aired on MTV, like Dig Lazarus Dig! More an actor than a musician. My opinion, which can always be refuted by the facts.

I don't know about this CD, but the live version of Drunkship of Lanterns really impressed me. Does anyone know if they're touring in Italy these days? I really like the mix of genres they explore. And the noise they incorporate.

Congratulations, wonderful review. What I heard I liked very much, great music beyond the trends of the moment. A solid foundation: the blues. Played brilliantly.

I tried listening to David Tibet, apocalyptic neofolk. It sounds to me like church music, similar to Gen Verde/Rosso, but in a pagan version that's played somewhat mediocrely. With what could I change my mind?

I don't understand what genre this type of music falls into.

Alright guys, you’re all a bit right. One thing is the repertoire, another is the way of playing. Maybe you're talking about different things. Regardless, Meldau remains a cornerstone of contemporary jazz music. He is very unique and at the same time acknowledges the legacy of the past. I can’t wait to listen to the tracks by Drake in question that I really like.

great contemplation! it seems you know your stuff. one curiosity, which nick drake track is brad playing? i’m starting to discover drake now (particularly pink moon and five leaves left... etc.)