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I really appreciate the guitar and rhythmic contributions. I'm sorry about the vocals, not because they're poor—on the contrary, they might be a bit retro, sounding somewhat old-fashioned, like a 90s album. But that's just my opinion.

Very good. Even though she didn't eat pasta. Keep following her! Let's hope she doesn't turn into a clone of Kate Bush.

One day in October 1985, Tony Banks, returning from a concert completely drunk, urinated in front of the door of his house: to this day, there is a commemorative plaque for this event.

and the band of horses?? why ignore the best things about these....

damn, what a pain in the ass....how many reviews are there of Genesis? I'm going to get an extraordinary bootleg of Fountain of Salmacis that nobody has ever heard of.

What is special about Nickelback?

certainly interesting, fortunately I have a superior intellect that allows me to want to listen to them.

inaudible. and no one remembers My Morning Jacket anymore... come on!

I'm not a fan, but I know the album and the character. The fact that he manages to provoke these exaggerated reactions is already an achievement of his... people either love him or hate him, it's curious... I honestly don't understand why. I find him quite original; he does his damn job produced by Giorgio Canali, like Perturbazione (a completely different genre), and has many imitators (there must be a reason). De André is dead and it doesn’t matter; we keep bringing him up for things that are irrelevant. This is a niche world, the Italian indie underground, which, as long as it stayed underground, was fine for everyone, and as soon as it finds a bit of success... everyone gets angry. The blame is solely ours, and if we don't like it, we can keep listening to the b-sides of Francesco De Gregori from the 80s... like "scacchi e tarocchi."

The merit of the review, which is truly too hasty, is to highlight a great artist and perhaps the best minimal "club" acoustic music album of the year. It's a shame it doesn't receive the attention it deserves; it truly does. But, as I expected, those who want to have an "independent" ear often prefer to flock together to discuss Franz Ferdinand rather than explore something genuinely new. Could it be that there is also a "mainstream indie"? Great record, small electronic inserts, a fantastic bassist, and I particularly enjoy Fink's percussive guitar style. There's a lot of taste as a vocalist too (a past as a DJ and a passion for Black music resurfaces).