polkatulk88

I need to get it back; it has never driven me crazy, but it's a really good album! I agree with almost everything said in the review... let's embrace the blues!

the stereo version of pet sounds clears up any doubts

what a review! I love muddy but I've always been afraid to put this on...

I may be a masochist, but despite Yoko's voice being worse than that of a mule in heat, clumsy, voiceless, etc., "sisters o sisters born in a prison" and "we're all water" strike me as enjoyable pop moments... the album isn't as bad as it's painted; there are several commendable moments... the live part is chilling, excluding the version of "cold turkey," which, although not excellent, boasts a top-notch sound...

a character actually little considered around here, and perhaps forgotten by most, was a pioneer in his genre. In the '50s, he released a series of excellent singles, even though in the end he arrived at the album late (I think in the late '60s). I have a couple of his really noteworthy records, above all I would say "mourning in the morning" and "right place, wrong time"! really great at remembering Memphis Slim.

Seen at the Pistoia Blues in 2008, they played before the headliners Deep Purple, who watched in amazement from behind the scenes (Don Airey was even taking photos or maybe a video), leaving everyone breathless. I don’t know if the album can convey the same emotions.

How I wish I had known a seller like that... about the record (forgive me), I'm skeptical, but I still find it the excuse for a fascinating story!

never felt...but how much I care!

Despite being an album generally overlooked, I personally find it excellent, very enjoyable, and diverse... Alice Cooper was an amazing band that played a hard rock I might call rock'n'roll, just a bit tighter perhaps. There’s no big hit like in the previous LPs here, and even "teenage lament" is a minor hit if we want to consider it that way; there are few tracks that were later played on stage by the leader, and maybe these two elements hold the key to the album's limited fame. Moreover, as highlighted in the review, sandwiched between two super albums like $ and Nightmare, it can lose out in points. Nonetheless, in my opinion, if we make a comparison between the first phase and the post-'74 phase, the differences are glaring; the sound softens and gives way to elaborate concepts, partly losing the typical rock'n'roll attitude of the earlier albums. Usual competent review from Green.

no, the sum of Springsteen, not at all! where's the heart? where's the sweat? it's work by trade...