Mr.music

A great and important film, maybe 5 is too much, but it definitely deserves 4, just like the really well-done review. You should have also mentioned Matheson!

Great record, I haven't listened to it in maybe two years. I completely disagree about Gianluca Petrella. Have you ever seen him live? Out of it, is this a joke? This album is almost a masterpiece!

It’s a minor episode, but it’s true like few others. Some stark versions are excellent! In a way, it feels like an older relative, or rather a precursor to a certain sound that we’ll find in the cover album titled "Trouble no More." What do you think?

I correct the grade on the record.

I bought this album as soon as it was released, back in October 2001. I listened to it again recently, a few months ago, and I must say it brought back some beautiful feelings. You’re right, "Cuttin' Heads" is a gem. One must also say that Mellencamp has always maintained a minimum level of depth that makes each of his albums something always interesting. I would have used the word ethical, because the word populist has many meanings; it’s definitely more accurate to say populist, but in Italy, many think only of its pejorative meaning! What will you review next? Good job!

Good review, it's clear that you put in some effort; however, I do notice a few omissions. You should have mentioned "Breakdown" too, for me it's the second creative peak of the album! This debut remains a small great gem!

It's certainly not among the best albums released by Killing Joke, but it's still a good effort. The review isn't really a review; it's a digression into another topic, sex. The sexual relationship with your girl can also be fun to talk about, but I wonder who might be interested?

I have nothing against Carta; she seems like a nice person, a bit naive, and looking closely, she's had some bad luck in life. When the record labels saw that the character was liked (it satisfied a certain target) and could bring in profits, they pushed her forward. I don't think I'm mistaken in saying that she was catapulted from the music business solely to make money. She's the classic tool of the industry; when she no longer produces, she will be gradually forgotten. I don't condemn the record labels (in fact, they're right to do so); they need to turn a profit. But I wonder how people don't realize that she's a beautiful empty container, am I wrong? Artistically, she's flat; moreover, it doesn't even seem like she has a well-defined style. Perhaps we can say that she has a particular timbre, but beyond that, it feels like listening to a mimicry and a mix of various Italian pop singers all put together. How long will it last? I hope she spends the money she's earning wisely!

Are you kidding us?

This is industrial music, a lot of money, very little art (art?), almost nothing! Anyway, it's a shame because she sings well, there’s talent, but in this case, it’s almost exclusively used only to serve money and record labels!