Mr.music

They were far better than many overrated bands of the time. The first album was bolder than this one, but in terms of arrangements, it was less polished; that said, I slightly prefer the first one, there's more substance to it. The Tin Machine had little luck, but they remain important; live, they were a beautiful "machine" for concerts. For me, they were not a transitional band as some say, on the contrary...

An extraordinarily beautiful record, Mellencamp is one of the most honest musicians in all of American music.

Hello Melissa, I have always been against all types of violence, and hitting a woman is truly a vile act. In my opinion, violence always begets more violence; in fact, it has the same effect as gasoline on a fire. Anyway, I don't follow gossip; in reality, I had seen an episode of a television program dedicated to Mia Martini. Loredana Bertè said: "that Fossati was on good terms with his sister even after they had broken up."

Another thing, it is certainly not nice to use the word race (we are human, not beasts) of a fool.

I am neither a fool nor an idiot; I simply made a comment stating that one must judge the artist, which you did not do in your initial comment. However, if you use such offensive terms, you behave like an intolerant and offensive person. I haven't offended anyone; I certainly haven't used offensive words towards you, and I would never allow myself to do so!!!!

A truly magnificent masterpiece, however, both Bauhaus and Killing Joke also deserved a mention. Beautiful review.

But are some judging the artist or the man Fossati? In a review, one should judge the artist. But what do you know about the relationship between Ivano Fossati and Mia Martini? Anyway, Loredana Bertè has always defended Ivano both as a man and as an artist!!!! For Melissa: these statements of yours seem to me like pathetic gossip that has no basis!!!

This album is a stretched 3-star affair, it hasn't played in my stereo for years, the assembly is poorly done, and what ruins it the most is the inclusion of the two tracks out of context that had already been released in the 1991 concert album, your analysis is correct. However, some songs not included in volume 1 are very beautiful versions that deserved to be published, which justifies the release of the album. Anyway, later they remedied by releasing the full recording of the concert at the Brancaccio in Rome, which more faithfully documents a concert from the "Anime Salve" tour. Ultimately, the CD also contains material recorded in Genoa and Milan, so the CD is complementary to the DVD.

This live album is extraordinary; the first one is of the same value, and together they document the tour of the masterpiece album "Lindbergh." The aforementioned album is one of the best live recordings in Italian music. Regarding the lightness, I disagree; the last two albums are quality records, lighter but still of quality. "Lampo viaggiatore" is truly an excellent album; just listen to the following tracks: "Pane e coraggio," "C'é tempo," and "Il bacio sulla bocca." These three tracks are three gems of rare beauty, and the rest is excellent both musically and lyrically. As for "L'Arcangelo" (a bit inferior to "Lampo Viaggiatore," especially because it is less studied and elaborated in its music, thus lighter), I say it is a respectable album, and some tracks are excellent, foremost: "Il battito" and "Danny." "Cara Democrazia" is a track that has its meaning; it may not be poetic, but the lyrics are strong and open your eyes. In any case, "Dal vivo, volume tre" is also very beautiful.

For the content, it would be four full stars, for the operation three. Tracks is amazing (I bought it as soon as it came out), being a fan of the Boss (but I have a thousand original CDs featuring a bunch of artists) I also have this...
The Punisher, your response speaks for itself, what a brilliant comment: "You know what, Bruce really got on my nerves... just think about that... album bought, listened to 3 times (just to be sure) and sold at the flea market (what a coincidence!)."