Bonny91

Well, I recently came across a disc with a couple of Rachmaninoff's works while passing through.. if I remember correctly, The Isle of the Dead and another one... it didn't really impress me much.. in fact, I've heard really good things about the piano concertos (rightly so, I think).. I'll dive into those, perhaps skipping the orchestral works.. even though at the moment I'm deep into a Bach-Gould trip and I don't know when I'll come out of it :)

But yes, 3/4 nice and listenable chords and nothing wrong with that... however, it seems to me that the lightness of the music doesn't really match the "serious" themes it tries to address... to put it simply, I really like the first 2/3 carefree albums as a quick and cheerful pastime... this one has something that doesn't convince me... the intentions, I would say.

Alberto, if someone were to review Rachmaninoff, I wouldn't give it a 5... I would give it less or wouldn't vote at all because I couldn't appreciate it... So when it comes to Mozart, damn if I don't give it a 5 here...

rece tears it apart badly. with the beer. survey: light or dark?

Respectful hypotheses are being put forward about dream4ever's sexuality, who enjoys watching dreamtheater and invites half of debaser to suck him off. Jokes aside, these fakes are degenerating into very bad taste. But let's ban these idiots without an adequate sense of humor. Since they profess to be fans of the DT, there remains a legitimate suspicion about their authenticity... Damn, what if these idiots actually existed?? P.S. Should I now expect terrible threats of being tied up, Godfather style part 4?

Well, I don't think I could handle this innovative genre. Tepes said it's suitable for moments of boredom; I don’t know, in those moments I prefer to listen to structured, interesting music that makes me reflect on something other than my worries. Thinking about the soundtrack for boredom, I see Bach fitting better than Sun O))))... excellent review anyway.

And to wrap up the annoyance, I won’t even vote for the show (as if...). What score could I give to a band I can’t even listen to? 1 is definitely an exaggeration... I think I’d endure a drone music album with more cheerfulness than another filler from Dream Theater.

Well, I put in the effort too... damn it, everyone talks about these four hype beasts, so let’s listen to them then! To give it another shot, I listened to Awake and Octavarium (borrowed from a friend who has long since rejected them)... oh, I just can't do it, my patience crumbles underground after a minimum of 2 minutes of every song... but who gives a damn about the offbeat tapping nonsense... they’re just a bunch of zealots with no sense of musical taste... by the way, don’t mention Vai, Satriani, and Malmsteen (the holy trinity of deified guitar) in the same breath as Petrucci. No, it doesn't work, those three know how to create virtuosic music that’s not (completely) self-serving... but Petrucci, what can I say? With the money he’s made, he could retire to a monastery and enjoy his Ibanez for the rest of his earthly existence without deceiving millions of foolish fans... I’ll end with the Brie: despicable. Ah, the other two (Rudess and Myung), I don't even consider them... if you’re looking for a keyboardist decked out in a crossbody style like people from Ibiza, take a look at the Viking from Sonata Arctica... damn, can he play!

Yes, when I read things like "Petrucci is god," I become more and more skeptical about religions in general. Then what the hell does dream4ever know (may god save us from Petrucci ascending to the paradise of musical onanists in short order) about Portnoy being a great man? Does he know him? What does he know that he doesn't beat up old ladies with double bass kicks? That he doesn’t polish the hi-hat with stray cats? Does he perhaps know if he does volunteer work for some NGO? The usual nonsense from fans with hormones raging for those insanely long sequences of meaningless notes defined by DT as "solos."

This review hasn't been very successful, yet I liked it! The analysis of the film is excellent, and some of the narrative parts are quite enjoyable. I'm in the mood for a 5, and I give it without too many regrets. Just tell me, why do you insist on writing comments in the style of sfasciacarrozze? In the long run, the trick just doesn't hold up anymore...