KindOfBlue

DeRank : 1,18
DeAge™ : 7154 days • Here since 6 november 2006
Genesis Invisible Touch
Voto:
Enjoyable reception, but I’ve never listened to the album: for now, I’m sticking to my 3+1 Genesis albums (Foxtrot, Selling England By The Pound, A Trick Of The Tail, and an '80s Greatest Hits) that I continue to devour daily.
Carlo Vanzina Vacanze in America
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Thank you for the clarification anyway.
Carlo Vanzina Vacanze in America
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It's a nice theme, but in my opinion it clashes with the comedic methods of the Vanzina brothers.
Carlo Vanzina Vacanze in America
Voto:
Sorry, Il_Paolo, forgive my ignorance. The review is stunning, but what does the coming-of-age novel have to do with this film?
Carlo Vanzina Vacanze in America
Voto:
Sorry, Il_Paolo, forgive my ignorance. The review is stunning, but what does the coming-of-age novel have to do with this film?
Carlo Vanzina Vacanze in America
Voto:
As a child, I was crazy about them, I confess, and since they were (and still are) shown on Fininvest networks every minute of the day, I had almost memorized them. Now, hoping that my brain is a bit more "aware," I consider these films worthy only of propping up a table with a short leg, if in VHS format. The comedic video by Maccio Capatonda "Natale Al Cesso" is a revelation for understanding the mechanics of these films: a pseudo soft-porn of the fourth category filled with too many clichés about Italians and the Italian situation, pushed to the limits of the grotesque to make an "easy" audience laugh, with little critical sense. I laughed more reading "Confessioni Di Una Maschera" by Mishima, and that's saying something...
Carlo Vanzina Vacanze in America
Voto:
As a child, I was crazy about them, I confess, and since they were (and still are) shown on Fininvest networks every minute of the day, I had almost memorized them. Now, hoping that my brain is a bit more "aware," I consider these films worthy only of propping up a table with a short leg, if in VHS format. The comedic video by Maccio Capatonda "Natale Al Cesso" is a revelation for understanding the mechanics of these films: a pseudo soft-porn of the fourth category filled with too many clichés about Italians and the Italian situation, pushed to the limits of the grotesque to make an "easy" audience laugh, with little critical sense. I laughed more reading "Confessioni Di Una Maschera" by Mishima, and that's saying something...
Klaus Schulze Picture Music
Voto:
Of Schulze, I have Irrlicht and Cyborg, two fantastic albums.
Jon Hassell Vernal Equinox
Voto:
I'm not accustomed to profound musical integralisms XD
P.S.: Huge respect for Muslims, seriously.