frangipane

the good puglione had made me listen to the record at unexpected times... the lyrics are fantastic... from here to putting on the record, just to relax, quite a leap... some ideas are genius... above all: Cinnamon. Pugliamix saw the Offlaga at Calamita in Cavriago (RE), a place where they are basically residents... I believe it's the last municipality in the world with a statue of Lenin in the square... LEGENDARY!

curious to see how the tour for this album will be managed... indeed, I find this work to be less electronic and more played than the previous ones... and I prefer it!
if now Subsonica are filling arenas (maybe even stadiums tomorrow?) I can say to myself: I saw them for the first time when they had only one album to offer and at the concert at the social center there were just two hundred of us...
and if Casacci, Samuel, or Boosta meet me on the street, they just have to thank me!!!

I've never had a record by this band in my hands... I've heard great things about what they did in the previous one... my curiosity is high... I’ll have to resign myself to the purchase... great review!

I've already written about her album in another review...
The topic of female artist / male artist intrigues me much more than the album by woman - album by man, as if they were just perfumes...
Imho, it’s not true that record labels don’t give the proper attention to women musicians, especially to those who sell...
Statistically, THERE ARE FEWER female musicians than male...
How many boys know how to play an instrument and how many girls?
How can you form an all-female band without them clashing with each other?
I know I’m going to upset someone, but unfortunately, this is how I feel…
Women are the best performers of anything that requires a certain level of technique and patience (not just crochet ;-), in my opinion, the best students in conservatories are women...), however, they tend to struggle with anything that requires flair and creativity: ask a girl who plays to "bring down the chords" of a song: she will definitely take twice as long as the clumsiest of your friends.
The male personality, perhaps due to a primal instinct of supremacy, leads men to create incredible things with great ease, just with the intent to impress the female and the other males in the pack...
I adore Cristina Donà... all the other albums I own feature women as beautiful interpreters of songs written by men... or more likely, men who do it all themselves, as they say around here...
to be continued...

The comment is about the album and the first “live” impression (Roncade - TV - 20050324)…
I saw the concert before hearing the album…
the songs immediately get under your skin, and you feel like they’re yours after the first listen… could this be what bothers someone?
Indeed, the Afterhaven’t revolutionized their sound… but was there really a need for that?
You’ll see that doubts will vanish at the next summer concert when you hear how our guys have already absorbed the new tracks…

dear Pizzicamix...
I'm sorry but I won't fall for it... I won't choose which little parish to defend...
you already know it gives me much more satisfaction to throw shit than to shovel it...
when they made me Kakà, I said it... now that they make me Kafu, the Marlene, should I stay silent?
they must have had their reasons!... not for nothing Dan preferred to stay from Solo...
as much as I still like the everlasting Pleownn by Maroccolo...
I already said that last summer, outside of promotional tours, in the mythical legendary showdown After Vs. Marlene, the latter won hands down for style...
you argue that the MK are a band that has challenged itself, doing something different. For me, they just limited themselves to cutting all the choruses to the old spores...
I haven't heard the new After yet, which will come out only on Friday (he he he), I'll be able to say...

Perez... you are absolutely right...
A Marlene concert can forgive a lot of things (I think of "Che cosa vedi?")... however, I believe I won't have the courage to go and listen to this album live...
I prefer to hold on to the memory of the last concert (last summer, Marcon - VE -) where they presented a collection of gems, played with enthusiasm and skill, in stark contrast to the most listless Afterhours in history, who sadly closed a beautiful summer evening...

I've already had the chance to tell Puglia that I think the Marlene have been sounding a bit complacent for quite a while now... Class is not water... that doesn't mean they've forgotten how to play live, and excellently at that... I don't share your condemnations or your Hosannas for the new album... it's been out for too little time to have already digested it...
Beware of albums that you like at first listen; they will be the first ones you stuff behind those you truly enjoy... The albums I listen to after some time are the ones that didn't say anything to me at first impact...

I'll give you my final impression after a few more listens... for now, I can only tell you that there's a lack of a track that makes you want to listen to it twice in a row... no offense to the puglione, who keeps a picture of Godano on his nightstand in front of that of his girlfriend, but this album hasn't convinced me yet... the review is nice... but after reading the preview from pugliamix, everything else pales in comparison... ;-) Prof. Frangipane
the previous one wasn't authenticated...
I hope I haven't made a mess...