vellutogrigio

Sorry, but it wasn't Scorsese who made Dracula, it was Coppola!

You are absolutely right, my friend who was at the shoot confirmed it. A necessary clarification, while the value judgments on Castelfranco also apply, all the more so, to the charming Padua fraction. Chapeau gbrunoro!

Beautiful and unusual choice.

Congratulations on the choice of the album. I don’t agree with the opinions of some readers, finding it truly an excellent work; perhaps its merit lies in disseminating the "fusion" genre in an extremely candid and straightforward manner, without the intellectualism of other artists in the genre. Of course, for this reason it might not appeal to the "purists." An ideal bridge between rock and other music.

Great film, quite original. I find the criticisms regarding the ending unjustified. Rather, it all seems largely inspired by a beautiful book I read a few years ago, "La rossa mano destra" (easily available in bookstores), which is also much more disturbing than this film, especially since the ending remains completely unresolved. I recommend it for next weekend!

Masterpiece. Math rock is my favorite genre... Rather, I ask some to point out the early examples of the genre. More than KC's disciplines, I was thinking of Red...

Re-reading my review, I believe that the effect of nostalgia and memories has indeed overshadowed the actual merits of this film, which some, obviously without preconceptions, have clearly pointed out in the comments above. Upon reflection, Grand Hotel is definitely the best episodic comedy of the '80s (nothing to compare with the so-called "vanzinate," on which more nuanced discussions should be held than the usual ones), since the individual sketches entrusted to various actors and their respective characters are made effective by the concentration of the various stories: in summary, a Montesano, a Celentano, and an Abatantuono deliver much more in the episodes than in the full-length films (for example, I find Abatantuono in Attila or Il ras del quartiere to be quite excessive). A separate discussion would obviously be warranted for Verdone.

I don't live there anymore for 23 years now. Of course, a cinema in the most beautiful street of the city was one thing; a multiplex on the outskirts, near the highway interchange, is another. I give the Vicentine urban planners a score of 0.

unconventional choices and full mastery of style for a well-deserved...

Hmm... by Joe Dante, perhaps you forget Matinée with John Goodman, a strange yet enjoyable film. You criticize me for my preferences in Italian comedy, but you, in terms of taste, are no joke either... I have never seen this and I probably won't.