vellutogrigio

DeRank ™: 1,60

DeAge™ : 7216 days • Here since 6 september 2006

Love Contact

Ashton Gardner Dyke Ashton Gardner Dyke

12 jan 08

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Write it well, this also worked with Lord and Paice from Purple. I’ll try to catch it.

The Who The Who By Numbers

12 jan 08

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Always underestimated, reading your comments I might reconsider. In any case, the worst of the Moon era is "Who Are You," while I also appreciate Faces Dances. I believe that in the '80s, Moon himself would have had to adapt to a certain more straightforward, less wild percussive style - he had already deteriorated in '77-78 - so the good Kenney Rogers (was it him?) rightly replaced him in the final stages of the band's career. It's good that someone also remembers the great John Entwistle, perhaps the best bassist of those years, generally in rock (not prog rock).

Sergio Martino La Moglie In Vacanza, L'Amante In Città

12 jan 08

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I just read the review by Il_Paolo, and I essentially agree with the reviewer's judgments and the goals he sets out in evaluating certain "B-movie" Italian comedies. What I appreciate about him is that he is not the usual rehabilitator of "trash," but a disenchanted reader of our cinema, which whether we like it or not has been a commercial success and, for many years, has provided work for countless actors, performers, and especially technicians and crew members. Personally, in the past, I have attempted to review films of this kind - like Grand Hotel Excelsior - but I realized that my pieces were not objective and balanced. All the best to Il_Paolo; I prefer reading his reviews than writing them myself, at least for these films.

Brad Silberling Una serie di sfortunati eventi

12 jan 08

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Visually stunning, with a polymorphic Carrey, it perhaps loses some effectiveness in plot development after a couple of viewings. Nonetheless, it remains a beautiful noir story. The end credits are fantastic.

Hüsker Dü Metal Circus

12 jan 08

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Sorry azzo and Super, I didn't mean to stir up controversy. I'm younger than you, back then I didn't know the Huskers, actually got to know them only in recent years. I ask you: it seems to me that in the '80s a lot of crap was going around (Duran Duran etc.), that the Italian scene was backward, and that you were already cool for listening to the Clash. What can you tell me that’s better and more? I'm really curious.

Todd Rundgren 2nd Wind

12 jan 08

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You are both great, you and him, even when you're not at your best.

Hüsker Dü Metal Circus

11 jan 08

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Steven Blush "American Punk Hardcore," fabulous and recommended to everyone. I only knew about Mould too. Well, as they say in this case, screw them, in all senses.

Hüsker Dü Metal Circus

11 jan 08

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@pretazzo: I was referring to SST area groups - hardcore and post-hardcore, not the style. Recently, I read a great book about the history of hardcore that talks bluntly about the U.S. scene, calling the Huskers three textbook gays. I thought only Mould was...

Sergio Martino La Moglie In Vacanza, L'Amante In Città

11 jan 08

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In my opinion, the review is nice but too brief. I don't see any nonsense written, I also ask Muffin for clarification. I think you need to be careful not to appear too much with these reviews; you risk becoming overexposed: maybe vary the genre a bit. I remember the film, especially the scene where Banfi spreads cream on Bouchet's butt.

Hüsker Dü Metal Circus

11 jan 08

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Nice review, but I find the band excessively overrated: the fuzz that characterizes all their songs, the rhythmic uniformity, the monotonous singing... The HD actually enjoyed - especially here in Italy - a posthumous fame for being among the guardians of Kurt Cobain, but, objectively, they are not as important a band as many believe. From that era, the Minutemen are better, or, even though they are challenging, the Black Flag.