David Bowie

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DeAge™ : 7220 days • Here since 1 september 2006
Led Zeppelin In Through The Out Door
Voto:
Antonì, don't worry about iGigi, it's just a flash in the pan. I like the review, the album less so, but er Dirigibile is the best!
Nick Cave And The Bad Seeds Abattoir Blues/The Lyre of Orpheus
Voto:
One of the best of King Ink.
Lucio Battisti Umanamente uomo: il sogno
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First of all.
Afterhours Ballate Per Piccole Iene
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I believe it has become your new obsession, ingenuapupattola. This record slips through your hands like a furious lightning, it devastates you with its cursed power and you’re left with quite a bit of blood on you. It will become a classic.
Talking Heads Speaking in Tongues
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I wanted to review the album myself; you did well to talk about it because when it comes to discussing Talking Heads, I’m the first to read you. However, I believe that after that great monument of "Remain in Light," they continued to produce good work, and this album is probably their best post-Eno effort, characterized by less cerebral but still very present, lively, and bright rhythms. I recommend watching the beautiful video of "Burning Down the House," with them overlapping alongside another group led by a child-sized dwarf. Excellent review.
Afterhours Non E' Per Sempre
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Ugly Axl Rose of the f#@%ing!
Queen A Night At The Opera
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It's clear that you're obsessed with this Walterstarman record, too bad I'm not. I'll tell you, just like radio zazà, I believe that Queen is an overrated band, but that doesn't mean I despise them; your review is excited but somewhat subjective (and enough with the story that Bohemian Rhapsody is the first music video in history, where do you leave Bob Dylan, the Beatles, Bowie himself, and others?), anyway, it deserves to be read for the passion. I don’t want to dwell too much on the album, I’ll just say that I prefer Queen 2, probably their best.
Franco Battiato L'Era Del Cinghiale Bianco
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I was also worried about the first comments on the album, and I’m glad they were only about "squalid fakes." However, I want to remind you that no one had reviewed this immense album by Battiato, and in my rush to publish it, I forgot to read and possibly correct it. Then I see a comment from voiceface that alarms me quite a bit, and I immediately rush to revise my thoughts; I don’t see any major errors, I don’t understand why the editors should double-check the grammar since they are not professors and we’re not writing essays, everyone writes what they like, and if they make mistakes, so be it. I admit I found some imperfections, but dear voiceface, don’t make a tragedy out of it since in your review of "La Voce del Padrone" you wrote that it was released in 1982...
Lucio Battisti Umanamente uomo: il sogno
Voto:
First of all, I don't understand the parallel between Battisti and the three singer-songwriters you believe have lost their way (do you really think Conte and De Gregori are washed up now?) and the Rolling Stones (who remain the greatest, contrary to what you say). However, you talk about this album making comments that are nothing short of banal, almost giving the impression that you've listened to it very little. And then, dear Poletti, you wrote that Il Fuoco is a romantic and very Italian song when, in fact, it is an experimental piece never heard before in Italy. Were you perhaps talking about Cutugno instead of the genius Battisti?