pugliamix

DeRank ™: 0,42

DeAge™ : 8443 days • Here since 28 april 2003

99 Posse La vida que vendrà

23 apr 05

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If you stay on debaser, you’ll understand a bit better how it works. If a review isn’t liked, it’s stated, regardless of the passion the author shows, a passion that alone cannot justify the flaws of the work. Posting a review on the internet necessarily means you put yourself out there and expose yourself to the risk of being criticized. Therefore, you haven't shown great maturity: starting a flame war on someone else's review to "avenge" the reception received by your own is a childish action. You’re off to a bad start, definitely.

99 Posse La vida que vendrà

23 apr 05

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You can think what you want, but that doesn't give you the right to insult those who don't share your opinion. Acting that way is rather "childish," don't you think?

99 Posse La vida que vendrà

23 apr 05

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Damn, Francesco, you really know how to elevate the commentary on Debaser.

99 Posse La vida que vendrà

23 apr 05

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Great record, and they’re great, live they are (were, by now) incredibly powerful... Seeing Luca Persico live alone as Al Mukawama last summer made me a bit sad... he returned to doing the things from the beginning, with the plastic raggamuffin beats... it was somewhat amusing and somewhat disappointing to see him go backward after everything that had happened; there were just a few people watching him, he who just two years earlier had made thousands of people jump in the same place (Sherwood Festival PD). I really like the 99 from this record and from Corto Circuito.
And I miss them.

Marlene Kuntz Bianco Sporco

20 apr 05

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Nosferatu, there's another review of Marlene that's more positive... ;-) - don't hold it against me, Perez, if I promote my own interests...

Easycure (Trilogy concert) Rolling Stone/Milano

18 apr 05

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Fantastic easy! If all goes well, they'll remove the cast on the 5th...!

Afterhours Ballate Per Piccole Iene

17 apr 05

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Once, kosmo, I did a quick check on my record collection and noticed that the vast majority of the artists represented were... men! At first, I thought, "I’m a misogynist, here’s the proof," but then I realized what you said, namely that "a certain 'feminine sensitivity' towards music is not well understood by the male bigwigs at record labels and is not promoted to the highest levels," resulting in a poor supply of female artists. Checking the record collection is a game that can turn out to be very enlightening...